May 31, 2019

[Photography] Weekly Photography Challenge – Travel

The post Weekly Photography Challenge – Travel appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is TRAVEL!

Let’s face it; we all love to travel – especially as photographers. So, go out and take some of your best travel photography images and share them with us all. As usual, they can be color, black and white, moody or bright. They can be people, iconic travel landmarks, stunning landscapes, aerial shots etc. You get the picture! Have fun, and I look forward to seeing what you come up with!

 

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting TRAVEL images

The dPS Top Travel Photography Tips of 2018

5 Ways to Photograph Travel Icons

8 Elementary Travel Photography Mistakes to Avoid When Starting Out

How to Find the Best Kinds of People to Photograph While Traveling

The Best Fujifilm X-Series Kits for Travel Photography

How to Travel Light With Your Photography Gear

 

Transcending Travel

 

Weekly Photography Challenge – TRAVEL

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPStravel to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Travel appeared first on Digital Photography School. It was authored by Caz Nowaczyk.



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[Photography] Tips to Take Better Photos in Direct Sunlight [video]

The post Tips to Take Better Photos in Direct Sunlight [video] appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Sometimes, as photographers, we don’t always have the luxury of shooting in the lovely early morning/late afternoon light. We just have to shoot in the middle of the day where the harshest light of the direct sun exists.

In this video by Peter McKinnon, he shares his tricks on how to take better photos in direct sunlight so you don’t end up with a bunch of photos that are super-contrasty and leave your model with harsh shadows around their eyes etc.

Tips to Take Better Photos in Direct Sunlight

1. Bounce the light

You could use a reflector or bounce card. Consider using natural reflectors such as light-colored concrete. Concrete acts as a natural reflector for the sun.

2. Diffuse the light

Have someone hold a diffuser in the line of the light source coming from the sun. This will defuse the harshness of the direct sun and soften it on your subject’s face.

Find areas of shade and if

3. Use the shadows to your advantage

If you don’t have a diffuser or a friend to hold one for you and you just have to shoot in the direct sunlight, take advantage of the shadows.

Find great spots (like a staircase) that have interesting patterned shadows to create interesting effects on your subject.

4. Move your model around

Keep in mind the direction your model is facing. Have them move around, and watch how the sunlight hits their face. Have them move until you get the most flattering/even light.

 

You may also find the following helpful:

The post Tips to Take Better Photos in Direct Sunlight [video] appeared first on Digital Photography School. It was authored by Caz Nowaczyk.



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May 30, 2019

[Photography] How to Nurture and Build a Child’s Interest in Photography

The post How to Nurture and Build a Child’s Interest in Photography appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

One of the most important things you can do as a photographer is to help guide, nurture, and inspire the next generation of artists. It’s a humbling experience to know that you might be the person who inspires the next Ansel Adams or Annie Leibovitz. It could come from something as simple as sharing some pictures with a young person or helping them figure out how to use their camera. You never know when you might have the opportunity to make an impression on a child, or anyone for that matter.

But if you’re not careful, these moments of creative awakening can quickly die before even given a chance to blossom. With that in mind, here are a few ways you can help and build a child’s interest in photography instead of accidentally snuffing it out.

It’s not about you

Before I get into some specifics, I want to make it clear that the important thing here is to realize that it’s not about you.

When you’re helping kids explore photography (especially this generation of digital natives), there’s going to be many times when you might be inclined to sigh, roll your eyes, or tell them that the latest filter, effect, or trend isn’t real photography. Or it’s not how you do things.

I’ve got kids in elementary school, and I also help out with my church youth group. One of the things I’ve had to come to terms with is that kids today are not learning photography how I did. My first camera was a Kodak that shot 110 film. It cost money to buy and develop each roll.

Today, like it or not, most young people get introduced to photography via mobile phones. They seem to snap away without any care for composition.

They would rather use filters, effects, and apps instead of learning about aperture, shutter, and ISO.

And that’s just wrong! It’s not real photography!

If you’ve ever shown a child how to fix things, you know it’s not about the end result but about passing on something special to the next generation. The same holds true for photography.

Or is it?

Who am I to say that a child using Instagram filters is any less worthy of creating meaningful images than me with my big chunky DSLR?

Just because mobile phones and photo apps aren’t my tools of choice it doesn’t mean other people, especially children, can’t find joy and creative outlets when using them.

There are two choices when faced with the dilemma of what to do when working with kids who are interested in photography.

You can make it about yourself and tell the kids what you think they should be doing. Show them the tools you think they should be using, and explain how to get pictures you think are interesting.

Or you can help young people find what they like. Explore photography in a way that is meaningful to them, and even (gasp!) learn to use apps and filters to create images they think are beautiful.

My wife and I were with a group of kids at the local botanic garden. One of them shot dozens of pictures of this outdoor train set.

The former can easily lead to apathy or resentment, while the latter often gives way to a whole new creative outlet for the child. It’s about them, not you. If that means you have to leave your comfort zone and explore photography in a way that makes you uncomfortable, then do it for the sake of the child and his or her learning and growth. Who knows…you might just learn something new along the way!

Give compliments instead of criticism

When a youngster invites you to look at a stream of pictures from his or her phone, you might have an initial tendency to offer unsolicited advice or, worse yet, outright criticism.

You might find yourself thinking things like:

  • The lighting in that shot is all wrong.
  • I don’t get it. What is this picture supposed to be about?
  • Your picture is way underexposed!
  • What’s with all the selfies?

If this sounds familiar, you’re not alone.

A lot of people may react similarly, but remember that children’s egos are fragile things. One word from an adult they admire or respect can be all the difference between sparking enthusiasm and causing depression.

Most of the time, when a child wants to show you their photos, what they are seeking isn’t criticism but validation. They want to know that they are doing a good job. That their efforts are worthwhile, and that they are on the right track.

The kid who took this photo thought it would be really cool to have the rope cut across the frame. I thought about telling him to shoot it differently, but instead, I just said “Nice job on those colors!” He was really really happy to hear that.

As an adult, you might think you’re helping if you offer what you think is constructive criticism, but there will be a time for that later. The most helpful thing you can do is offer compliments and words of encouragement. Even if you don’t find their photos entirely compelling, find something nice to say.

Try tactics such as:

  • That’s a really interesting lighting choice!
  • I like the colors in this photo.
  • Can you tell me how you got this shot?
  • Look at those fun selfie filters you’re using! Can you show me how to do that?

Give children compliments instead of criticism, and ask questions to show them you are interested. It sends a strong message that you care about their creativity and value their work. This could help set them on a lifelong photography journey, and you might be just the person to do it!

Shot by a seven-year-old who thought this dinosaur was really fun to look at. Fun enough to take over two dozen photos of it.

Encourage experimentation

As someone who grew up with analog cameras and physical rolls of film, there’s a lot about modern photography I don’t quite understand. This goes double when it comes to mobile phones. Especially with filters, effects, stickers, and other image-altering features found in a lot of photo apps.

But for kids today, these types of alterations are just enjoyable ways to explore photography. Just because I, and others my age, didn’t grow up with all this technology doesn’t mean we should spoil it for the next generation!

One of my young relatives loves playing with color-inversion filters. I think the results look awful, but he loves this picture that he shot and others like it. And if he likes it, then who am I to tell him otherwise?

Instead of dwelling on what we might not comprehend, try the opposite approach when dealing with budding photographers. Don’t run away from filters if you’re with kids who are excited about them, and instead get them to try even more.

Some might seem silly, and you might never choose to willingly give yourself cat’s ears or apply an over-saturated look to your nature shots, but there’s no harm in trying things like this when you’re with a child who wants to experiment for fun.

My son took this picture of me sharpening a lawnmower blade. He used a night-time mode which, as he discovered, made the shutter stay open longer and capture some spark trails.

You can also encourage kids to try new techniques like time-lapse photography, look at accessories like the OlloClip which lets you take macro shots with a mobile phone, and experiment with basic editing and image processing. Photography today, especially with mobile devices, allows creative possibilities light years beyond what we had when I was a youngster.

Just imagine what kids can create with a few encouraging words from an adult photographer whom they admire and respect!

Another one of my young relatives was really interested in shooting familiar objects from different perspectives. This was the result of one of his recent experiments, and while it won’t win any awards, he was thrilled to try something new. I happily encouraged his experimentation.

Give advice, but only if they ask for it

This is one of the hardest but most important parts of helping a young person nurture their interest in photography. To illustrate it, I’ll share an example from a visit with my out-of-town family.

My 14-year-old niece is constantly snapping pictures with her phone of anything that she thinks is interesting: insects, flowers, fences, cars, and, of course, her friends. During their stay, she bombarded me with requests to look at her pictures. She couldn’t wait to show me the photos she took even just out in the backyard.

While this happened, it was difficult for me to hold my tongue and just let my niece bask in the glow of her newfound love for photography. I wanted to give her advice about lighting, offer tips about composition, show her how to hold her phone at different angles to get better pictures, and so on. However, I held my tongue and just tried to be a voice of encouragement and validation, telling her I liked her pictures and asking if I could see more.

My niece loves taking pictures such as this one using portrait mode on her phone. I wanted to tell her she could get better results with a real camera. But that kind of attitude is toxic and hurtful for a child who just wants to experiment with photography.

What my niece (and most young people) aren’t looking for are instruction and advice. They’re seeking validation, often on a personal level, that their work is good and that they are pursuing worthwhile goals. When you, someone whom they respect and admire, can only tell them why their work isn’t good or instruct them on how to fix what they are doing, it sends the wrong message even if you have good intentions. You could inadvertently stifle the very sense of creativity you are hoping to inspire.

What you should do instead is play the long game. Use opportunities like this to build a sense of trust and goodwill. That way, when young people do want you to help them with their photography, they will ask you.

Later that same weekend, my niece asked if she could use one of my cameras. So I let her use my old Nikon D7100.

We talked about lenses, apertures, and how to control the camera to make the background get all blurry. Then we went out to take pictures of flowers as the sun was setting. She was eager to learn all about how to control the camera settings to get photos she could never pull off with her cell phone and some filters.

When she showed interest in some of my camera gear, I let her try it out and gave her some advice about composition, lighting and controlling the aperture. But only after she asked me for help.

After putting her photos into Lightroom, I showed her how to do some basic cropping and adjustments. She told me repeatedly that these were some of her favorite shots she had ever taken. If I had started the weekend by chastising her for not using a real camera, or told her what I thought she should be doing differently with her photography, she would probably not have wanted to go out and get flower photos later on.

This is the result of her efforts, and she was extremely pleased with the results. Hopefully, this is just the start of a lifelong photographic journey!

Conclusion

Young people are finicky, and their moods and tastes change as quickly as the wind. Today their interest may be in photography, and by next week they have moved on to archery, pottery, or guitar. You never know what’s going to stick with them in the long run.

If you want to nurture an interest in photography and help make sure it’s not just a passing phase, you have to be careful what you say and do. Make it about them and not about you. Hopefully the photography seeds you help plant will take root in good soil to produce a lifelong appreciation for the art.

 

The post How to Nurture and Build a Child’s Interest in Photography appeared first on Digital Photography School. It was authored by Simon Ringsmuth.



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[Photography] Learning to See Like an Artist – 7 Powerful Techniques to Help You See More Compelling Images

The post Learning to See Like an Artist – 7 Powerful Techniques to Help You See More Compelling Images appeared first on Digital Photography School. It was authored by Anthony Epes.

Being an artist has nothing to do with your camera, your kit or your photo knowledge.

It has nothing to do with how long you’ve been taking photos or if you shoot on manual or automatic.

Being an artist is totally and completely about the mindset you inhabit when you are out shooting, and what you create from this state.

It’s about looking at the world in a way that is different from how we usually see it. It’s ridding ourselves of the habits to ‘get somewhere,’ to accomplish and tick things off our to-do lists.

It’s all about immersing ourselves, our senses, our beings in this beautiful, wild, chaotic and amazing world.

It’s diving deeper, seeing more and finding new and interesting ways to capture what we discover.

What you get from bringing this artistic approach into your photography are unique images.

Your photos become about expressing who you are, encompassing everything that you have seen and experienced in your life.

This to me is the joy of photography. So I have some simple, but immensely powerful tips that will help you connect to your inner artist.

“There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.” – Ernst Haas

7 Powerful Techniques to Help You See More Compelling Images

First – ignore everyone

We spend so much of our lives in contact with other people. At work, our efforts are analyzed by our colleagues, boss or clients.

At home, our children, partner or family will comment on how we live, wash clothes, what we eat etc. We post something on Facebook and someone comments; everyone has an opinion.

As we are in constant contact with other humans, we find ourselves playing a role, fitting into expectations or rules or ways of living. We probably don’t even think about how the constant stream of people in and out of our lives makes us adjust and alter our behavior.

Creating art operates in a very different space – completely outside this interaction with other humans.

Being in the space of creativity is about forgetting what other people might think of our work, what other people are doing, literally everything that connects us to other human beings.

We need to release ourselves from our ‘normal lives’ and the way we live.

Because art can never be created by a committee. And what is completely unique and interesting about you is what will make the most compelling photos.

2. Know that we aren’t seeing the world as it really is

“Vision is the art of seeing what is invisible to others.” – Jonathan Swift

Did you know that your brain processes two billion pieces of visual data per second? And yet we only see about 50 bits of this information.

Of course, our brains are doing us a massive favor. If it didn’t block out most of what was happening around us, we couldn’t focus.

What’s interesting here is what 50 bits of information are you seeing, and what 50 bits am I seeing?

If we are seeing such a small selection of what’s available, then it’s highly unlikely we are all seeing similar things.

Which makes our personal world highly selective.

I find this so exciting because it shows how we are always able to create something new if we only open up our awareness.

This explains why we can all stand in front of the same scene and take different photos (this happens all the time on my workshops.)

Let’s celebrate that there is so much more to discover in the world around us.

3. Take your time to really observe the world around you

One thing I constantly see in my workshops is when people find a subject they love, they shoot it, then move on way too quickly.

I think it’s a natural response to how we live in this modern life. We are very driven by results. We shoot something, then we move on to the next thing. Almost like we are ticking a box.

But the way to be more creative in your photography is to forget about where you want to go next.

In fact, forget about everything that is not totally related to the present moment you are inhabiting, and the subject you are facing.

Take your time. Watch the light. Maybe wait for the light to change to see what would happen to your subject.

Look at the shadows. The people that are passing. What’s happening around your subject? Feel the atmosphere, and maybe how it is changing.

Observe.

As you see more and get to know your subject more, new angles will open up on how to shoot. Maybe the weather will change, making more dramatic images, or the light will soften creating a totally different feel to the mood of the shot.

The more you observe your subject the more it will reveal different qualities to you. You will notice more subtleties.

There is no rush. Allow yourself all the time you need to observe and shoot your subject.

4. It’s all about the light

“I am forever chasing light. Light turns the ordinary into the magical.” – Trent Parke

When people ask me what I photograph, I always say the same thing – light.

My biggest passion and main subject in photography is light. I love light in all of its forms.

The joyful, effervescent light of a spring morning; the deep, brooding, metallic grey light before a storm; the deep, deep blues of twilight in the city; the misty, melancholic light of a winter’s afternoon.

Light is always changing. Each day brings us something different and each part of the day has different qualities. And when you have interesting light it makes your subject so much more compelling.

Your job is to play with light and your subject, seeing what happens when the light changes.

What qualities are revealed in your subject in different light?

“Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.” – George Eastman

5. Photography is all about feeling

When we see a photo we really love it’s rarely only because it’s nice to look at.

Beyond the composition, color, light and all of the things that we can organize, there is a more important element to a photograph that is more elusive and hard to capture.

This element is emotion.

“Photography’s a case of keeping all the pores of the skin open, as well as the eyes. A lot of photographers today think that by putting on the uniform, the fishing vest, and all the Nikons, that that makes them a photographer. But it doesn’t. It’s not just seeing. It’s feeling.” – Don McCullin

When a subject stirs emotion in us – joy, love, fear – it will transfer into our photo. And when the viewer sees that image, we want that emotion to be evoked in them too.

Capturing emotion is an art, and it’s not automatic. But it’s totally worth focusing on. Find subjects that stir your emotion, and try to capture that feeling in your images.

The most iconic photos that we remember for years, or the ones that really speak to us personally, will be communicating a powerful feeling.

6. Be in awe

“Instructions for living a life. Pay attention. Be astonished. Tell about it.” – Mary Oliver

If we think that photography is all about feeling then the most sensible option when deciding what to photograph is to find subjects that fill you with emotion.

I like to ask myself – what fills me with such deep excitement I am in total awe when I see it?

You can probably guess that light is what makes my heart burst with excitement and makes me want to get my camera out.

But there are other things too.

Exploring nature is always something that excites me. Spending days walking through the hills near where I live in Southern Spain, or through the pretty English countryside of my adopted homeland on a beautiful summer’s morning.

Cities too, especially at sunrise when they are empty and beautiful. I like to explore, wander and see what I come across.

It doesn’t matter though what your subject is, the most important part of your decision of what to photograph is that it has to be something that stirs your soul. It has to thrill you. It has to fill you with awe.

Otherwise, what’s the point of taking the photo?

7. Stop thinking

Now, the last step is often the hardest. We are trained from an early age to be in our heads. To be thinking and doing all the time.

However, if you want to hit that artistic mindset where you are present, connected to the world and in total creative flow, you will not be thinking or analyzing what’s happening around you.

“Don’t think. Thinking is the enemy of creativity. It’s self-conscious, and anything self-conscious is lousy. You can’t try to do things. You simply must do things” – Ray Bradbury

Once you have made the choices of when and what to shoot, then you can let yourself go.

Being an artist is losing yourself and becoming part of this magical and amazing world.

It’s daring to lose yourself to see what you can find. It’s being prepared to forget all the things that you have to do or worry about.

For this we have to be a little courageous, we have to experiment and try, we have to make mistakes and trust that we will take good photos (eventually). But –

“What would life be if we had no courage to attempt anything?” – Vincent Van Gogh

I hope you enjoyed these ideas.

I’d love to know if these sparked ideas or inspiration for you. Let me know in the comments below. Thanks!

 

The post Learning to See Like an Artist – 7 Powerful Techniques to Help You See More Compelling Images appeared first on Digital Photography School. It was authored by Anthony Epes.



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