[Photography] An AI Image-Quality Enhancer Like No Other: Improve Your Photo’s Quality With Aiarty Image Enhancer

The post An AI Image-Quality Enhancer Like No Other: Improve Your Photo’s Quality With Aiarty Image Enhancer appeared first on Digital Photography School. It was authored by Darren Rowse.

We’ve just updated this article including a 2025 Christmas Special, Below!

Are you ever frustrated to find images in your catalog that are low resolution, blurry, or noisy? You’re not alone. 

Photographers get stuck with low-quality images all the time, for a host of reasons. For instance, most photographers have at least a few folders filled with images captured using camera equipment during the early days of digital shooting; these files are often noisy (especially if they were taken in poor lighting conditions), and they’re simply too low quality to allow for large prints. 

And that’s not to mention images that have been cropped heavily for compositional purposes, or that were taken as still frames from video clips, or that were blurry or out of focus from the get-go. 

Once upon a time, if you found yourself frustrated by insufficient-quality files, there wasn’t much that could be done. But now, thanks to huge advancements in photo-processing technology, there’s a solution: image-quality enhancer software, which takes subpar files and – often with the help of AI – turns them into beautiful, high-resolution photos. 

But which enhancement software should you pick? In this article, I explain why Aiarty Image Enhancer is a fantastic option. I also walk you through its key features, and I offer a step-by-step tutorial for dramatically upscaling your files. By the time you’re done reading, you’ll understand what makes Aiarty special, and you’ll be ready to use it to enhance your photos!

Let’s dive right in.

Why we choose Aiarty

The Aiarty Image Enhancer is an AI-powered program that offers high-quality image enhancement in an affordable, easy-to-use package. 

Here are just a few of Aiarty’s many benefits: 

1. Versatility. You can use the software to improve low-quality JPEGs, restore flawed photographs, and even enhance AI-generated images.
2. Power. Aiarty can enhance images to 4K, 8K, and even 32K resolutions, which ensures stunning clarity and sharpness in the largest print products (even wall-sized posters!).
3. Depth and detail. Aiarty offers image-quality enhancement tools for denoising, deblurring, and upscaling, all of which produce realistic results with natural details. 
4. Comprehensiveness and ease of use. Aiarty Image Enhancer offers an all-in-one package for image-quality improvements. And it’s easy to use, even for a complete beginner, thanks to a one-click workflow for denoising, deblurring, upscaling, and more.

To see Aiarty in action, check out this official video: 

Bottom line: Aiarty Image Enhancer combines power, comprehensiveness, and versatility into an intuitive program. Plus, as I discuss in the next section, the program is surprisingly affordable: 

Recent Updates in Aiarty Image Enhancer:

1. Strength Control: Adjust sharpness and detail for natural-looking enhancements.
2. Color Correction: Fine-tune exposure, contrast, and saturation for vibrant, lifelike colors.
3. Faster AI Face Restoration: Recover facial details in portraits and close-ups.
4. Optimized AI Models: Smooth, realistic results for all images, avoiding the “over-processed” look.
5. Optimized GPU Acceleration: Faster processing on Windows and Mac, so you spend less time waiting and more time editing.

Coming soon: Aiarty plans to add features such as an AI brush eraser for removing unwanted objects, color restoration, and TIFF/DNG output — giving photographers even more flexibility for editing and printing.

Bottom line: Aiarty Image Enhancer combines power, comprehensiveness, and versatility into an intuitive program. Plus, as I discuss in the next section, the program is surprisingly affordable:

Aiarty’s price (and a limited-time Christmas offer!)

Normally, Aiarty’s software costs 85 USD for an annual license, though photographers also have the option to purchase a lifetime license for 155 USD. Compared to the competition – which often requires users to purchase monthly subscription packages – Aiarty is a very cost-effective image enhancer. 

But what makes the program even more appealing is the current sale, which gives you the opportunity to get a lifetime license for just 74 USD. That’s 49% off — plus, use the coupon code XMASSAVE for an extra $5 off, bringing the price down to $74, the lowest price ever.

Just bear in mind that this deal and coupon are valid only this Christmas, so to take advantage of the huge discount, make sure you act fast! 

How to enhance your images with Aiarty

Aiarty Image Enhancer includes tools for a wide array of image improvements. In this section, I share a step-by-step tutorial so you can see just how easy it is to upscale a photo to 8K or more (even while improving sharpness and removing image noise).

When you first open the Aiarty Image Enhancer, you’ll see a modern-looking interface, with the preview screen in the center and the image-enhancement tools on the right-hand side:

To get started, you can simply drag and drop an image file onto the main window, or you can click the arrow button at the center of the screen and select the file you want to upscale. (You also have the option to import multiple files, which comes in handy when you need to enhance a batch of photos.)

Your selected image will appear in the preview window, with the option to toggle between two different before-and-after views: 

Once Aiarty has loaded the AI models and analyzed your file, it’s time to choose your upscaling settings. Under the More Details AI tab, you’ll need to choose an AI model as well as an upscaling option: 

Picking an upscaling option is easy: Just choose the option that corresponds to your desired file resolution. If you want to upscale your file to 8K, for instance, then simply select the 8K setting.

That said, the AI model you choose can constrain your upscaling options, so you must pick carefully. 

How do you select an AI model? Well, Aiarty currently offers three: 

1. More-Detail GAN v2, which generates additional detail, adds clarity and sharpness, and applies deblurring and denoising. This model offers upscaling up to 32K. 

Best for: Skin, hair, pores, and other intricate patterns.

2. Smooth Diff v2, which restores missing detail and handles file flaws, including noise and blur. This model also offers upscaling up to 32K.

Best for: 2D graphics, some faces, glass surfaces, smooth textures, anime, and line art.

3. Real-photo v3, which only offers up to 2X upscaling but restores files with beautiful, photo-realistic detail. 

Best for: Family portraits, product shots, and scenic landscapes.

Each model has its strengths and weaknesses, and I encourage you to try them all. However, if you’re looking for a quick rundown of the models’ practical uses, the More-Detail GAN v2 is best for major image upscaling (especially where fine detail is required), while the Real-Photo v3 is ideal for removing flaws (such as noise or blur) without significant upscaling. The Smooth Diff v3 can also restore flawed image files, but it generally performs better on non-photo-realistic images (i.e., drawings and graphics). 

For the purposes of my 8K upscale example, I’m going to use the More-Detail GAN v2, since my image – a wildlife portrait – includes lots of detail that requires enhancing. 

(Note: If you decide to switch the AI model after importing an image, it’s a good idea to press the Refresh button on the preview screen so you can see an accurate preview of your enhanced result!)

At this point, you can simply choose your export settings (including file format, quality level, and output path), then press the Run button: 

And Aiarty will get to work generating your enhanced image!

I do want to offer a couple more tips, however. 

First, if you’re looking for top-notch image quality, I encourage you to choose the 2-Pass Processing option, which tells the software to run the image-enhancement model a second time.

Second, if you’re enhancing an AI-generated image, and you want the program to take into account the prompt you initially used to generate that image, be sure to check the Keep the Prompt box in the Image Prompt tab.

Key Aiarty Image Enhancer features

At this point, you should be relatively familiar with the power of Aiarty’s software. However, I’d like to offer a final rundown of the main features so you can understand the overall value of the program. 

First, the program’s AI-powered denoising technology allows photographers to remove unsightly noise from images that were captured in low-light conditions (e.g., indoors, at night) or using high ISOs. Unlike traditional denoising algorithms, Aiarty’s AI models do an excellent job of removing noise while preserving image details (and even while upscaling!).  

Second, Aiarty’s deblur technology can take even the softest, out-of-focus image and generate a sharp, realistic result. It’s a great way to handle blur due to subject motion, but it also excels at correcting for cheap optics and poor focusing in the field. Plus, deblurring allows photographers to enhance compressed images and even AI-generated images!

Similarly, the More-Detail GAN v2 model does a stellar job of preserving existing elements while also creating beautifully detailed skin, texture, hair, and more. 

And the More-Detail GAN v2 model, as well as the Smooth Diff v2 model, are capable of magnificent upscaling – not just to 4K and 8K resolutions, but all the way up to 32K, allowing you to produce gorgeous image files perfect for gallery display and even for wall-sized prints.

Of course, I would be remiss not to mention the flexibility and power offered by Aiarty’s three separate AI models. You can easily switch between the three options to tailor the output to your desired result, and you can even try 2-pass processing for even more outstanding files. 

Final words

At the end of the day, Aiarty offers a cutting-edge product that can help pretty much any photographer. The combination of three AI models and flexible upscaling options ensure that you have a powerful solution to address a wide array of image-quality issues, while the one-click approach and intuitive interface make the program perfect for beginners to professionals. 

So if you’re looking to enhance your photos but you’re not sure where to turn, consider Aiarty Image Enhancer! And remember that for a few more days, you can purchase an annual or lifetime license at a huge discount – so head over to the Aiarty website and download your copy today!

(You can also check out the Aiarty store for some great holiday packages!)

Digiarty Software is a paid partner of dPS.

The post An AI Image-Quality Enhancer Like No Other: Improve Your Photo’s Quality With Aiarty Image Enhancer appeared first on Digital Photography School. It was authored by Darren Rowse.

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[Photography] Your voice matters – Help us shape the future of photography

The post Your voice matters – Help us shape the future of photography appeared first on Digital Photography School. It was authored by Sime.

We’re sharing this for our friends over at thinkTankPhoto, makers of some of the industry’s best camera bags.

The 2026 State of the Photography Industry survey is now open.

This annual survey brings together real experiences from photographers working in every corner of the industry. By sharing how you’re finding clients, managing your workflow, and planning for the year ahead, you help create a clearer picture of what’s truly happening in photography today.

When more photographers come together, the insights gained become significantly more impactful and valuable to us all.

Why your perspective matters:

Compare: See where your pricing, bookings, and revenue stand industry-wide.
Spot: Track shifts in client demand and marketing trends.
Plan: Use real data to guide your business decisions.

The survey only takes a short time, and responses are completely confidential. You can also opt in to receive the full report when it’s released in March.

Take the survey here

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[Photography] Godox AD300Pro II: A Lightweight Outdoor Flash Built for Real-World Shoots

The post Godox AD300Pro II: A Lightweight Outdoor Flash Built for Real-World Shoots appeared first on Digital Photography School. It was authored by Sime.

Our take on the Godox AD300Pro II Press Release – We hope to get hold of a unit to test and share our results with you, a good entry into OCF but “much more than a standard camera flash”

When you’re shooting on location, lighting gear needs to earn its place in your bag. Power matters, but so does weight, speed, usability, and how quickly you can adapt when conditions change. The new Godox AD300Pro II is designed with exactly those real-world pressures in mind.

Building on the popularity of the original AD300Pro, this updated version refines performance, control, and workflow while keeping things compact and portable. With 300 Ws of power in a 1.2 kg body, it sits neatly in that sweet spot between speedlights and bulkier battery strobes — making it an appealing option for outdoor portrait, editorial, and location-based commercial photography.

Let’s take a closer look at what the AD300Pro II brings to the table and who it’s likely to suit best.

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Portable Power Without the Bulk

At just 1.2 kg, the AD300Pro II is clearly designed for photographers who move. It fits easily into a standard camera backpack and is quick to mount on a lightweight stand, making it well suited to:

• Environmental portraits
• Editorial shoots
• Travel photography
• Run-and-gun commercial work

Despite its size, it delivers a full 300 Ws of output, which is more than enough to overpower daylight for portraits or add controlled light in challenging outdoor conditions.

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Faster Recycling, Fewer Interruptions

One of the key upgrades comes in performance consistency. The AD300Pro II offers:

• Recycle times from 0.01 to 1.5 seconds at full power
• Around 350 full-power flashes per charge

In practice, that means less waiting between shots and fewer battery changes during longer sessions. For photographers working with people, this matters — momentum stays high, expressions stay natural, and you spend more time shooting instead of watching a ready light.

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Visual Group Control for Multi-Light Setups

If you’ve ever fumbled the wrong light in a multi-strobe setup, you’ll appreciate one of the AD300Pro II’s more subtle but clever features: 16 color-coded group indicator lights.

Each group displays a distinct colour, allowing you to identify which flash is which at a glance — even from a distance. When working quickly on location, this visual feedback can significantly speed up adjustments and reduce mistakes.

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Refined Controls That Stay Out of the Way

Godox has also focused on improving the shooting experience itself. The AD300Pro II features:

• A bright, easy-to-read colour screen
• A smooth metal control dial
• A simplified button layout

The goal is clear: fewer menu dives and faster adjustments. Whether you’re making quick exposure tweaks or switching modes, the interface is designed to stay intuitive — so your attention stays on composition and timing.

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One-Tap Wireless Sync

The built-in Godox 2.4 GHz Wireless X system allows for seamless integration with Godox transmitters. When paired with the X3Pro or X3 trigger, the AD300Pro II supports one-tap sync, eliminating the need to manually set channels or groups.

It’s also compatible with the broader X-series ecosystem, including XPro, X2T, and X1 triggers. For photographers using mixed setups or existing Godox gear, this keeps everything consistent and flexible.

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Precision Power Control

The AD300Pro II offers a 10-stop power range from 1/512 to full power, adjustable in 0.1-stop increments.

That level of precision is particularly useful when:

• Balancing multiple lights
• Adding subtle fill in bright daylight
• Fine-tuning exposure for portraits

Small adjustments can make a big difference, and the fine control here helps reduce test shots and speed up setup.

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Bi-Color Modeling Light for Better Previews

A 12 W bi-color LED modeling lamp provides adjustable continuous light, allowing you to preview lighting direction, shadow placement, and overall mood before firing a flash.

Being able to dial in both brightness and colour temperature makes it easier to match ambient light, especially during golden hour or mixed-light scenarios.

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Pro Features for Demanding Situations

The AD300Pro II includes a full set of advanced modes, including:

• High-Speed Sync (HSS)
• Freeze Mode
• Color-Stable Mode
• Multi flash

These features make it adaptable across fast action, mixed lighting, and creative multi-strobe setups — whether you’re freezing motion or maintaining colour consistency across a shoot.

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Access to a Wide Modifier Ecosystem

Out of the box, the AD300Pro II uses the native Godox mount, giving access to a wide range of Godox modifiers. With optional adapters, it can also work with Bowens, Broncolor, Profoto, and Elinchrom accessories, opening the door to a much broader lighting toolkit.

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Who Is the AD300Pro II For?

The Godox AD300Pro II is best suited to photographers who need serious lighting capability without hauling heavy gear. If you regularly shoot on location and want a flash that balances power, portability, and usability, it’s a strong contender.

It won’t replace high-powered studio strobes, but that’s not the point. Instead, it delivers a practical, well-rounded lighting solution designed for the realities of modern outdoor photography.

The post Godox AD300Pro II: A Lightweight Outdoor Flash Built for Real-World Shoots appeared first on Digital Photography School. It was authored by Sime.

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[Photography] Weekly* Photography Challenge: Choose Your Own Holiday Prompt

The post Weekly* Photography Challenge: Choose Your Own Holiday Prompt appeared first on Digital Photography School. It was authored by Sime.

Welcome back Friends!

The holiday season (AKA Christmas) brings with it a different kind of creative energy — softer light, richer colour, meaningful moments, and plenty of small details that often slip by unnoticed. To keep things flexible (and fun), this week’s photography challenge follows our “Choose Your Own Prompt” format.

Rather than working to a single theme, you can choose one of five holiday-inspired prompts and explore it throughout the week. You might shoot every day or just once when inspiration strikes. Keep it subtle or go all-in festive — there’s no right or wrong approach.

Pick the prompt that resonates with you, spend time observing, and use the week to tell a small visual story. When you’re ready, share your favourite image with the community and let us see how you interpreted the theme.

Not gonna lie, Santa looks beat here…. but it amused me, so I made the photograph!

Your Five Holiday Photography Options

1. Festive Light

Photograph light that feels seasonal: fairy lights, candles, shop windows, sunrise or sunset glow, reflections on glass. Warm, soft, or sparkling — let light set the mood.

2. Traditions (Big or Small)

Capture a holiday ritual: decorating, cooking, wrapping, morning coffee, a family walk, or a quiet solo tradition. It doesn’t need to be loud — intimacy counts.

3. Anticipation

The moments before the moment: wrapped gifts, packed bags, laid tables, waiting hands, half-finished decorations. Tell the story of what’s about to happen.

4. Summer Christmas

Lean into an Aussie festive season. Beaches, backyard barbecues, cricket, bare feet, sunshine, cold drinks. Holiday spirit doesn’t have to wear a jumper.

5. Togetherness

Photograph connection — people, pets, or even shared spaces. Laughter, closeness, chaos, calm. Wide scenes or quiet details both work beautifully.

* So we’re away for a week or two, so we welcome you to try ALL of the topics in this challenge and we’ll see you in 2026. Thanks for sticking with us in the last few months of change we’re going through here at dPS – We’re looking forward to a refreshed 2026. —- Simon

The post Weekly* Photography Challenge: Choose Your Own Holiday Prompt appeared first on Digital Photography School. It was authored by Sime.

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[Photography] This Week’s “Choose Your Own Prompt” Challenge

The post This Week’s “Choose Your Own Prompt” Challenge appeared first on Digital Photography School. It was authored by Sime.

This Week’s “Choose Your Own Prompt” Challenge

This week we’re keeping the creative momentum going with another “Choose Your Own Prompt” format — five fresh ideas for you to explore, shoot, and interpret however you like. Pick the one that sparks something, stick with it for the week, and share your results with the community. No rules, just inspiration.

? Your Five New Options This Week

1. Framing Within the Frame

Find a natural frame in your environment — a doorway, window, tree branches, arches, fences or anything that surrounds your subject. It’s a simple way to add depth and guide the viewer’s eye.

2. The Colour Contrast

Instead of one dominating colour, look for two colours that play off each other. Complementary (blue/orange), bold contrasts (red/green), or subtle pairings (teal/green). Let colour relationships tell the story.

3. Quiet Moments

Capture calm. Early morning stillness, someone reading, soft window light, empty spaces, a pet resting. Focus on mood and subtlety rather than action.

4. Hard vs Soft Light

Photograph the same subject twice — once in harsh, directional light and once in soft, diffused light. Notice how shadows, detail and emotion shift with the change in lighting.

5. Lines That Aren’t Straight

Hunt for curves, spirals, zig-zags or wavy lines. Roads, rivers, staircases, shadows, architecture or everyday objects. Use these shapes to lead the viewer through the frame.

You can share your photograph below (Has to be new, not one from your archives!) or you can join / visit our Facebook group and share it there. (You can find that group here)

The post This Week’s “Choose Your Own Prompt” Challenge appeared first on Digital Photography School. It was authored by Sime.

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[Photography] Tamron update the 150-500mm Firmware

The post Tamron update the 150-500mm Firmware appeared first on Digital Photography School. It was authored by Sime.

TAMRON Firmware Update (Ver. 4)

150-500mm F/5-6.7 Di III VC VXD (Model A057)

For those of you that run one of the Tamron 150-500mm A057 lenses (Hey, that’s me!) the team have just released a firmware update that will help you with the following…

Want to know more about this lens? Pop over to the Tamron Australia website for the low down – or leave a question in the comments!

150-500mm F/5-6.7 Di III VC VXD (Model A057)

The post Tamron update the 150-500mm Firmware appeared first on Digital Photography School. It was authored by Sime.

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[Photography] What do we think of the new Sony a7 V?

The post What do we think of the new Sony a7 V? appeared first on Digital Photography School. It was authored by Sime.

Well, we haven’t had the privilege of spending any time with one, but, we know someone who has – Thank you, Jared, for letting us share your video!

Big fan of Jared’s ‘keeping it real’ in his reviews – Grab a cup of tea and enjoy the next twenty seven minutes.

A reminder, FroPack 4 is currently 40% off if you’re up for some new Lr presets! – Have a look –

Meanwhile, I shall keep my a7 III clean and polished and dream of a faster frame-rate….. for now!

— Simon

The post What do we think of the new Sony a7 V? appeared first on Digital Photography School. It was authored by Sime.

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[Photography] Weekly Photo Challenge: Pick One of These Five Fresh Prompts!

The post Weekly Photo Challenge: Pick One of These Five Fresh Prompts! appeared first on Digital Photography School. It was authored by Sime.

Welcome back to another Weekly Photo Challenge at Digital Photography School!
This week you get to choose from five creative photography prompts — all designed to help you notice your world a little differently and strengthen your visual storytelling.

Whether you prefer landscapes, street photography, portraits, or still life, each prompt below offers a unique way to push your creativity and explore new techniques.

Your Five Prompts This Week

1. Leading Lines

Lines are everywhere — roads, railings, tree branches, stairways, shadows. Use them to guide the viewer’s eye toward your subject or deeper into the frame.

2. Motion Blur

Instead of freezing action, try showing motion. Slow your shutter and capture the beauty of movement: cyclists, waterfalls, passing cars, or walking crowds. Tripod optional, experimentation encouraged.

3. Negative Space

Minimalism often speaks loudly. Try placing your subject within a large, uncluttered area. It could be sky, wall, floor, ocean, or a blurred field. Let the emptiness elevate your subject.

4. Close-Up Details

The world is full of fascinating textures and details we rarely see. Focus on something small — a droplet, a fabric weave, an insect wing, cracked paint, a watch dial, a flower petal. Get closer than you usually do.

5. Golden Hour Magic (What’s Golden Hour?)

Ah, the warm glow of the sun as it rises or sets. This hour transforms even ordinary scenes into something cinematic. Try silhouettes, portraits, landscapes, street shots, or architecture bathed in soft light.

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How to Join the Challenge

• Pick one prompt that sparks your interest.
• Spend the week exploring, experimenting, and shooting.
• Share your final image at the end of the week using #dPSWeeklyChallenge.
• Want to push yourself? Photograph multiple prompts!

These challenges are all about practice, play, and exploring your vision. Can’t wait to see what you create!

The post Weekly Photo Challenge: Pick One of These Five Fresh Prompts! appeared first on Digital Photography School. It was authored by Sime.

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[Photography] Misinformation

The post Misinformation appeared first on Digital Photography School. It was authored by Sime.

Had a great article sent out by the State Library of Victoria today, it was titled “Misinformation through the decades” and explores the use of what we now call Photoshop.. Well worth a read!

A sentence that certainly resonates within me “When we’re bombarded by a stream of images, daily, how can we tell what’s real and what isn’t?” as someone who looks at photography from many sources, daily, I certainly see a LOT of ‘generated’ content these days, and scarily, a lot of people ‘praising the photographer’ – Can you spot a fake? Drop us a comment.

We won’t re-print it here, that’s not cool, but we’ll drop a link to the full article, below!

On 24 July 2025, we hosted a staff forum exploring the complex world of misinformation. From retouched glass plate negatives to AI-generated bird photos, we unpacked how truth is distorted and preserved in digital collections….[read the full article]

The post Misinformation appeared first on Digital Photography School. It was authored by Sime.

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[Photography] Register for Shoot Extraordinary, Limited spots left.

The post Register for Shoot Extraordinary, Limited spots left. appeared first on Digital Photography School. It was authored by Sime.

Sharing this one for our friends over at Lensbaby!

When Elizabeth Willson first picked up the OMNI Rainbow Pack, she was comfortable adding creative light and bokeh to her photos, but the OMNI films remained a mystery. That changed the moment she began curling them around the edge of her lens to catch the light. Suddenly, her images transformed, bursting with color, depth, and a sense of wonder that made every story feel alive.

Through selective focus, layering, and in-camera double exposures, Elizabeth creates dreamlike photographs that invite you to move through time and space—moments that feel fluid, alive, and full of possibility.

At the Shoot Extraordinary Conference 2025, Elizabeth will teach you how shifting your focus can change the entire tone of your story. You’ll learn to harness OMNI films and crystals to add intrigue through light and color, and explore how layering in your compositions creates a sense of movement and mystery.

If you’ve been struggling to create vivid, story-driven images, or simply want to learn how to amplify your storytelling through light, color, and depth, this session is for you.

JOIN LIVE DECEMBER 6TH. CLICK TO REGISTER FOR FREE.

And while you’re at it…

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[Photography] Introducing Godox iT32 iFlash Camera Flash & X5 TTL Wireless Flash Trigger

The post Introducing Godox iT32 iFlash Camera Flash & X5 TTL Wireless Flash Trigger appeared first on Digital Photography School. It was authored by Sime.

New from Godox, the iFlash camera flash is an interestingly modular on AND off camera flash, building on their iFLash range, this is a good option for those looking to use their flash on and off their cameras.

Why should I use my flash OFF my camera?

iFlash Camera Flash iT32 & X5 C/N/S/F/O – One System, Built for All

Meet the iT32 iFlash Camera Flash & X5 TTL Wireless Flash Trigger — a modular lighting system built for ultimate versatility and efficiency. When paired with different X5 versions, one iT32 flash body seamlessly adapts to Canon, Nikon, Sony, Fujifilm, and OM System cameras, offering full TTL and HSS support across brands. The X5 functions as both a hotshoe and wireless trigger, enabling instant transitions between on-camera use, off-camera freedom, and complex multi-light setups. Compact yet powerful, the iT32 & X5 combine magnetic modularity, cross-brand compatibility, and Godox 2.4GHz wireless integration—empowering photographers to shape light effortlessly, anytime and anywhere.

One System, Built for All

The iT32 & X5 offer a universal solution for photographers working across different camera systems. Its interchangeable magnetic X5 hotshoe allows instant switching between brands by simply changing the X5 version. This flexible design helps photographers focus more on creativity and less on equipment compatibility.

Dual Identity: Hotshoe & Trigger in One

X5 serves both as a hotshoe mount and a wireless transmitter, enabling smooth transitions between on-camera and off-camera use. When attached to iT32, it functions as the hotshoe for on-camera shooting; once detached, it automatically switches to trigger mode, wirelessly controlling iT32 or other Godox Wireless X System flashes. 

Effortless Multi-Light Sync

Equipped with a built-in 2.4GHz receiver in the iT32 and a 2.4GHz sender in the X5,

the system ensures instant wireless communication without manual pairing. When used together, iT32 and X5 act as a master unit to trigger multiple Godox flashes simultaneously. When separated, the X5 can still control the iT32 and other flashes within the Godox 2.4GHz wireless X system, making multi-light setups simple, fast, and reliable.

Intelligent Recognition and Real-Time Display

The iT32 automatically identifies the attached X5 version, displaying key information such as model type, battery level, and charging status on its screen. This smart detection ensures photographers always stay aware of system status, minimizing errors and keeping shooting sessions smooth and controlled.

Magnetic Mounting, Fast and Secure

The magnetic interface between iT32 and X5 ensures a stable, one-click connection that’s firm yet quick to detach. Compared with traditional locking mechanisms, it greatly speeds up setup while maintaining reliability, allowing photographers to switch modes fluidly and capture every moment with ease.

Refined Design, Built for Practical Use

Intuitive Touchscreen Control

Rotatable Flash Head

Built-in Reflector and Diffuser

USB-C Charging

Professional Performance, Seamless Compatibility

Advanced Flash Functions

Godox 2.4GHz Wireless Ecosystem

Magnetic Accessories for Creative Expansion

LED Modeling Light

Technical Data

Model	iT32+X5S	iT32+X5C/N/O/F
Global Shutter Sync Shooting	Provided	Unprovided
Radio Wireless Global Shutter Sync	Provided	Unprovided
Guide Number (1/1 step)	Approx. GN18 (ISO 100, in meters)
Flash Duration (t0.1)	1/1000s?1/30000s
Exposure Control
Exposure Control System	TTL auto flash and manual flash
Flash Exposure Compensation	±3 steps with 1/3 increment each step
Sync Mode	High-speed sync (up to 1/8000 seconds, or 1/80000 seconds with Sony cameras equipped with global shutter), first-curtain sync, and second-curtain sync
Multi Flash	Provided (up to 100 times, 100Hz)
Wireless Flash (Radio 2.4G Transmission)
Wireless Function	Sender, Receiver
Sender Groups	M, A, B, C?iT32+X5S/N/F/O??A, B, C, D?iT32+X5C?
Receiver Groups	A, B, C, D
Transmission Range (approx)	Max. 80m (Max. 20m in separated triggering)
Channels	32: 1-32
ID	OFF/1-99
Power Supply
Lithium Battery	iT32: 7.4V/900mAh; X5: 3.8V/100mAh
Recycle Time (1/1 step)	Approx. 1.5s
Number of Flashes (1/1 step)	Approx. 510
Power Saving	Provide standby and auto off functions
Sync Triggering Mode	Hot shoe, 2.5mm sync cord
Dimension and Net Weight
Dimension	iT32: 56 * 39 * 101mm; X5: 1.26 * 1.26 * 1.06*
Net Weight	iT32: 169g; X5: 23g

The post Introducing Godox iT32 iFlash Camera Flash & X5 TTL Wireless Flash Trigger appeared first on Digital Photography School. It was authored by Sime.

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[Photography] PortraitPro: 50% OFF + an EXCLUSIVE EXTRA 20% OFF code DPS1025

The post PortraitPro: 50% OFF + an EXCLUSIVE EXTRA 20% OFF code DPS1025 appeared first on Digital Photography School. It was authored by Sime.

PortraitPro: 50% OFF + an EXCLUSIVE EXTRA 20% OFF code DPS1025

Get your time back with PortraitPro 24! We understand the detailed work required for flawless portraits. That’s why PortraitPro 24 uses advanced AI to significantly cut your editing time while maintaining absolute precision. Achieve seamless skin adjustments and sophisticated edits (like lighting and backgrounds) quickly and accurately.

What the experts say

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“It’s tough to overstate the value of PortraitPro 24 for portrait-focused photographers. Whether you shoot weddings, engagement sessions, senior portraits, family portraits, or something else, you’ll benefit from the software’s time-saving features, and you’ll love how easy it is to produce a good final edit.”
– Digital Photography School

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Award-Winning Intelligent Technology

“It provides lightning-fast, quality portrait retouching, based on some pretty powerful artificial intelligence.”
– KelbyOne Insider

One suite, endless possibilities. Whether you’re editing headshots, full-length portraits, or wedding photos, PortraitPro 24 and PortraitPro Body give you the power and precision to deliver exceptional results faster, while LandscapePro and Smart Photo Editor transform your outdoor and creative images.

Buy now using your time-limited 20% off exclusive code DPS1025 for extra savings or choose a bundle to save even more.

Buy PortraitPro 24 or upgrade at 50% off, plus get an exclusive additional 20% off your discounted price with the code DPS1025. Bundle for further savings and ensure an even more efficient workflow.

Hurry – your exclusive code DPS1025 is valid on any Anthropics software, including PortraitPro, PortraitPro Body, LandscapePro, Smart Photo Editor, or Bundles — but it ends soon!

Bundles Buy now Upgrade

The post PortraitPro: 50% OFF + an EXCLUSIVE EXTRA 20% OFF code DPS1025 appeared first on Digital Photography School. It was authored by Sime.

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[Photography] Weekly Photo Challenge: Choose Your Own & Get Snap-Happy!

The post Weekly Photo Challenge: Choose Your Own & Get Snap-Happy! appeared first on Digital Photography School. It was authored by Sime.

Hello photographers! Welcome to this week’s photo challenge at dPS. The idea: you get to pick one of five prompts below and spend the week capturing images around it. At the end of the week you’ll have a fresh image (or several) to review, share and grow from. Whether you’re just starting out or looking for inspiration, this is your chance to explore, experiment and have fun.

? Your five options this week

Choose one of these to photograph during the week:

1. Reflection – Look for reflections in water, windows, mirrors or shiny surfaces. Think about symmetry, distortion, light and framing.
2. Texture in unexpected places – Find a texture you wouldn’t normally notice: cracked paint, peeling wallpaper, rusted metal, tree bark, street pavement. Make the texture your star.
3. A single colour dominating the frame – Pick one colour and fill (or nearly fill) your frame with it. It could be a red door, a yellow umbrella, a green field, a blue sky. How does that colour set the mood?
4. Silhouette or back-lit subject – Shoot a subject with strong back-lighting so that detail falls away into silhouette. It might be a person, tree, building or something else. Keep the shape strong and clear.
5. An everyday object — seen differently – Pick something ordinary you see regularly (a chair, a cup, a gate, a shoe) and photograph it as though it were extraordinary. Change angle, light, context; make us look again.

Why this challenge matters

Photography is as much about seeing as it is about shooting. By giving yourself a specific prompt, you train your eye and engage creatively. These prompts encourage you to step out of your “usual” photographic patterns and notice things you might normally ignore.
When you pick and commit to one prompt for the week, you’ll likely discover new possibilities in your surroundings and push your creative limits.

How to play and share

• Choose the prompt you’re drawn to.
• Go out (or stay in) and make a photo (or a few) that respond to that prompt.
• Reflect: what worked about your shot? What might you try differently next time (angle, light, crop, isolation)?
• At week’s end, share your image in the comments (if on dPS) or on your favourite platform, tagging us and using #dPSWeeklyChallenge so we can all find and enjoy the results.
• Bonus: If you want to push further, try two prompts from the list or revisit the same subject across days.

A little tip to boost your shot

• For reflections: stability helps, and watch for distracting background elements.
• For texture: get in close, fill the frame, think about lighting grazing across the surface.
• For colour: isolate the colour, simplify the scene, and ask “what emotion does this colour evoke?”
• For silhouette: expose for the bright part (back-light) so your subject falls dark, and keep the outline clean and recognisable.
• For everyday objects: change your viewpoint—shoot low, shoot high, try macro, move closer than usual. Make the familiar unfamiliar.

Enjoy the week, have fun with your camera, and we can’t wait to see what you create. Ready… set… shoot!

— The dPS Team

The post Weekly Photo Challenge: Choose Your Own & Get Snap-Happy! appeared first on Digital Photography School. It was authored by Sime.

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[Photography] Peak Design’s Pro Tripod Is Here!

The post Peak Design’s Pro Tripod Is Here! appeared first on Digital Photography School. It was authored by Sime.

The new Peak Design Pro Tripod is NOW AVAILABLE (If it isn’t just keep hitting refresh until it is) You can read the presser just bellow. We have a review coming soon, too.

Peak Design, a global leader in camera accessories and everyday carry, has once again disrupted the tripod market with its latest category-defining release: The Pro Tripod. Engineered from the ground up to elegantly support the workflow of pioneering adventure photographer and filmmaker Jimmy Chin, the Pro Tripod sets a new standard in professional-grade portability, strength and thoughtfully designed functionality for users across the creative spectrum.

Peak Design first revolutionized the tripod category in 2019 with the award-winning Travel Tripod–a reexamination of traditional leg and center column architecture that delivered unprecedented spatial efficiency. Pro Tripod’s foundation is rooted in this transformative design but built with intentional upgrades to deliver an entirely improved user experience across its three available sizes (Pro Lite / Pro / Pro Tall). Featuring a fully CNC-machined hub, flanged center column, and increased leg diameter and length, Pro Tripod achieves twice the stability (40lb capacity vs. 20lb) and up to a 30% greater deployment height (197.4cm on the Pro Tall model) as its groundbreaking predecessor. Yet similar to the Travel Tripod, the Pro Tripod maintains a backpack friendly weight and size, making it the most portable pro tripod on the market.

Among the most notable refinements to Peak Design’s meticulously redesigned Pro Ball Head is the addition of fluid panning. Combined with Tilt Mod–a brilliantly designed, packable accessory that converts the Pro Ball Head into a fluid pan and tilt head (sold separately)–users can instantly capture pro-level video and eliminate the need to carry a dedicated video tripod or secondary video head. In addition to panning, Pro Ball head supports 15 degrees of adjustment when Pro Tripod’s center column is fully stowed and features a new ARCA-compatible quick-lock for a satisfyingly secure, and effortless camera connection. No other ball head on the market comes close to delivering this level of functionality and intuitive control.

Behind Pro Tripod is an invaluable design partnership between Peak Design and renowned adventure-photographer and Emmy Award-winning filmmaker, Jimmy Chin. Chin’s desire to test countless Pro Tripod prototypes in the world’s harshest climates played an instrumental role in influencing each feature incorporated into the Pro Tripod.

“Peak Design has been an important part of the gear I use to support my shoots over the years,” noted Chin. “Collaborating on the Pro Tripod only enhanced my interest in their design ethos, and I’m incredibly excited to help bring to life a tool that will further the creative workflows of countless photographers and filmmakers.”.

Speaking to the partnership, Peak Design Founder & CEO, Peter Dering commented, “Jimmy made no bones about what he desired in an expedition-quality tripod.” He continued, “We knew if we could fulfill Jimmy’s wish list we’d land on a tripod that meets the needs of almost every photographer and videographer on the planet. The Pro Tripod marks a huge milestone for Peak Design and we couldn’t be more proud.”

At an MSRP of USD $799.95 for Pro Tripod Lite, $899.95 for Pro Tripod, and $999.95 for Pro Tripod Tall, Peak Design offers exceptional value within the premium tripod category. However, upon its November 20 launch on PeakDesign.com and select retail partners, customers have a limited-time opportunity to purchase Pro Tripod and accessories for a 5% discount until midnight December 1.  (We’re not sure where, perhaps

The post Peak Design’s Pro Tripod Is Here! appeared first on Digital Photography School. It was authored by Sime.

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