Jun 4, 2014

[Photography] Phottix Mitros+ Review – the Best Flash System You Have Never Heard of

First dance

Photo taken using the Phottix Mitros+ system



As a professional wedding and portrait photographer, I would say the most important accessory in my kit bag besides my main camera and lenses would by my flashes. So when it came to making a decision on what flash system use, I did a lot of research and in the end I opted for the Phottix Mitros+/ Odin system. I don’t normally write gear reviews as I think the internet has enough top quality content. I realized however in my research that the Phottix Mitros+, although sold internationally, is comparatively less well known and not well documented on the web.


Phottix Mitros 107

Phottix Mitros+ – comes with carrying case and accessories



I am a big fan of using off-camera flash and as a Canon shooter and have previously been using Canon 580 EX II / Pocket wizard combination for the last 4 years. The Canon 580 EX IIs in all fairness have served me well. They have been dropped many times, and rained on, but never skipped a beat. The problem occurs when I take them off camera. Using the PocketWizard Mini TT1 and TT5 trigger and receiver I have experienced a whole host of reliability problems that eventually was the catalyst for me to look for alternate solution.


I started by looking at the Phottix Odin TTL triggering system, which I have used before and has had excellent reviews. That was when I realized Phottix also sells the Mitros+ flash, that includes the wireless transceiver built into the unit. The “+” denotes that it has radio transceiver built in as they also do a non “+” version with no transceiver. The Mitros+ flash is great for a number of reasons;



  • It’s one less piece of equipment to buy and worry about

  • There is so need to carry more batteries or worry about connection issues between your radio receiver and your flash

  • The Phottix Odin trigger system is also a tried, tested, reliable market leader and so I was confident it would work well


Review – Phottix Mitros+ Flash System


First impressions when you take the Mitros+ out of the box; it comes in a nice pouch and feels solidly built to take a few bumps, which is essential as I will put it though the rigours of professional use. The first thing you notice is that it makes a beep, like studio lights, to tell you the flash is recycled and ready for use. This is especially useful if you are firing at full power, and can be turned off using the custom functions if you don’t like it. I fired off a few successive frames and it seems extremely quick to recycle. This is by no means a scientific test but I set the flash in manual mode 1/2 power and fired consecutive bursts. It seems to recycle at least as fast, if not faster, than a Canon 580 EX II. In the real world, it holds up very well; I tested it all day in different lighting situations and the ETTL worked consistently. The battery consumption seems about the same as the 580 EX II, I did a full day shoot and didn’t need to change batteries, so all in all I am very happy.


The real benefit of the unit however, is taking it off camera. It’s an absolute joy to use; no having to set up the PocketWizard receivers, and no misfires. I don’t have to do my usual five minutes of troubleshooting if the flashes aren’t firing. It just works like it is supposed to. With this system you can also control everything directly from my Odin transmitter, or using another Mitros+ flash. You can alter settings remotely such as TTL exposure compensation, manual power, high-speed sync and even flash zoom level. You can configure three groups of flashes and adjust each one individually. This basically allows you to control everything you need from the camera so no need to walk up and down making adjustments.


Phottix Mitros 101

Hands on it’s a quite a large flash as you can see here next to the Canon 580EX II



Features (as listed on the Phottix website)



  • E-TTL, M, Multi (Stroboscopic) modes

  • Auto/Manual Flash Head Zoom with 180 degree rotation and 97 degree tilt

  • High Speed Sync and Rear Curtain Sync

  • Flash Exposure Compensation: Manual, Bracketed

  • Fast Flash Mode: with 0.1-2.5 sec. recharge times

  • USB port for upgrades

  • 3.5mm Sync port

  • Canon-compatible IR Wireless Triggering with Master and Slave mode

  • Optical Slave Sync Mode

  • Uses 4 AA batteries

  • Port for external battery pack

  • Compatible with Phottix Odin TTL Flash Triggers for Canon

  • Battery Compartment for 4 AA batteries (below left)








    Phottix Mitros 103 Phottix Mitros 102


  • Rubber seals around metal hot-shoe for weather sealing (above right)

  • Mine also came with a plastic diffuser and 1/2 CTO which will come in handy (below left)








    Phottix Mitros 104 Phottix Mitros 100


  • Swivel and tilt head great for bouncing in all directions (above right)

  • Connections for USB power, 3.5mm jack for sync and external power the kit also comes with an adapter to convert the head for Canon’s CP-E4

  • The display a the back is large backlit and clear








    Phottix Mitros 106 Phottix Mitros 108


  • Menu System identical to Phottix Odin when set to Trigger Mode


Phottix Mitros 109


The litmus test for me to judge how intuitive a menu system is; if I need to read the manual, it’s probably not that intuitive. I very quickly figured out how switch from ETTL to Manual, activated high-speed sync and got the radio trigger system working. I actually think the menu system is better than the Canon 580 EX II, which took me a long time to figure out. Like the Canon speedlite, you can also control flash exposure compensation from the Canon 5D Mark III’s menu, although this is not recommended by Phottix. An advantage of the Mitros is that it has an indicator to see how much battery life left, which is absent in the Canon 580 EX II.


I recently took the Mitros+ system for an intensive four day shoot on Tinian Island and I am glad to report it has been flawless. I was asked to do a beach shoot at 1 p.m. in the blazing afternoon heat and managed to overpower the sun with three of Mitros+ flashes set up in cluster.


Mitros 100

Final image



Mitros 101

Lit with three Phottix Mitros+ flashes



The determining factors for choosing the Phottix system were twofold


Firstly, it is an open system. Odin can be used to trigger not just the Mitros+ but other studio lights as well. In comparison the latest Canon 600EX–RT flash and Canon ST-E3 trigger are only compatible with each other. I have also bought Phottix Odin receivers to bolt onto my old Canon 580s, so can use them with the Mitros+/Odin system together.


Another positive for Phottix is that it’s more backwards compatible than the Canon 600 EX-RT, which is not fully compatible with pre-2012 models, such as Canon 5D Mark II, which I also own. I read reports that you lose features like HSS, (High Speed Sync) and the sync speed is lowered to 125th/sec but I haven’t tested it myself. It seemed very odd to me that a third party company can get their flash working with older Canon cameras but Canon can’t. I have tested the Mitros+ system with both the Canon 5D Mark II and 5D Mark III. It works fine and it is even compatible using infrared with the Canon 580 EX IIs, so you can use the Mitros+ to trigger the Canon flashes and vice versa. The Mitros+ also has optical slave which is something Canon never put on the 580 EX for unknown reasons.


The final factor is the Phottix retails at $399 USD, which offers a significant saving to the Canon equivalent. At time of print, the Mitros+ is $150 USD cheaper than the Canon 600EX–RT flash.


I talked about comparisons with Canon in my review as I am a Canon user, but the Mitros+ is available for Nikon now also. It should be quite attractive to Nikon shooters as I think Nikon have yet to release a flash with a built-in radio transceiver.


Conclusion


Things really have moved on for third party flash manufacturers in the last few years. When I first researched into non-proprietary flash systems, they were generally cheaper, but vastly inferior product to the brand name equivalents. The Mitros+ is a great quality product, at a great price. It’s well built, easy to use and packed with features. Phottix as a company feels like they are selling products designed by photographers, and have really listened to their customers. Looking back at reviews of the original Mitros when it came out, customers were just saying “if only it had the Odin radio system built in that would be fantastic”, not long after the Mitros+ was released.


The Phottix Odin radio trigger system fully deserves all the praise it gets. PocketWizard, which has historically commanded such a market dominance in this sector, should be well aware of the new competition – which I think is a good thing. I remember paying nearly $500 USD for a PocketWizard TT1 Trigger and TT5 receiver, but had to as there was just no competition at the time. I experienced range issues, reception/connection problems, broken hot-shoe and general unreliability which is unacceptable for such a premium priced product.


The Mitros+ / Odin combination so far has been solid as a rock in terms of reliability. Time will tell if the build quality is as good as it looks but at least Phottix shipped with a two year warranty peace of mind. For those of you looking to either buy your first flash, or add to existing flash system, it’s worth keeping an eye out for products from third party manufacturers such as Phottix. Light is light at the end of the day, and I don’t care what brand name it says on the side as long as it gives me consistently good results and so far my Mitros+ has done exactly that.


Here are a few more images created with the Phottix Mitros+


Buggy 100


Food


Outdoor off camera flash


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[Photography] Contest – Win One of THREE Photography Courses from New York Institute of Photography

Over the last few years here at dPS, wNYIP Logoe’ve run some incredibly popular competitions with one of our partners – the New York Institute of Photography – to give away to lucky dPS readers some of their great photographic teaching.


Due to popular demand – we’re doing it again this week.


For this competition, NYIP is giving away THREE prizes.


Each will be won by a different dPS reader. Here’s what you could win:


Complete Course in Professional Photography – worth $1,499


This is NYIP’s most popular course. It teaches everything an aspiring photographer needs to know about the art, technique, and business of photography. Want to become a better photographer? Then this course is for you.


NYIP spread Light Direction


All courses include comprehensive and illustrated lesson books, CD audio guides, DVD video training, photo projects, professional evaluation and personal student advisers.


How to Win


To win this competition you’ll need to:



  • Watch the video below

  • Leave a comment below and tell us why you’d like to enrol in New York Institute of Photography. Please note: there is a limit of 1 entry per person.

  • Do this in the next 8 days and on June 12th, 2014, the team at NYIP will choose the best three answers and we will announce the winners in the following days.



Deadline is June 11th, Midnight PDT. Comments left after the deadline will not be considered.


By “best” – we’re looking for people who have an understanding of what NYIP is, what the course offers, and how it suits their needs. There’s no need to write essay length comments to win – but we’re looking to hear what you like about NYIP, the course and how it would help your development as a photographer.


This competition is open to everyone around the world no matter where you live, but there is only one entry per person please. To enter – simply leave your comment below.


Don’t forget to share this post with your friends! Like NYIP on Facebook for special offers and announcements on all of the NYIP Courses!


Disclaimer: NYIP is a paid partner of dPS.


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Jun 3, 2014

[Photography] Guide to Attracting Critters to Your Garden for Backyard Wildlife Photography

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Wildlife photography brings with it some natural challenges. One of the greatest being that it is often difficult to have regular access to wild animals to photograph. Many of us are guilty of looking further afield for our subjects, but our own back gardens are prime locations for attracting, and photographing wildlife.


Live in the city suburbs? Doesn’t matter. Your area is likely to be bustling with bird life that you aren’t aware of yet. This guide will run you through a few of the best ways you can attract birds and animals to your garden for easier wildlife photography.


Provide Supplementary Food


Animals are suckers for food. They’re often hungry and looking for their next meal. The best way to get them to come to your garden is to provide nutritious, supplementary food. There are a variety of different methods you can use to feed wild animals.


Bird feeders are available in many different sizes and shapes. A normal tube system with various feeding holes is available from your local pet shop or garden centre. They’re inexpensive, and can be filled with many different varieties of seed. You can buy wild bird food from the same place, and get anything from mixed seeds to solely sunflower hearts. I use the latter, and to great effect.


For attracting mammals, you can get a variety of ground feeders. Squirrels, for example, love peanuts, hazelnuts and other nutty foods.

Robin in Snow


Don’t Forget the Ethics


By providing supplementary food to animals, you must not overfeed them. Fill the feeders maybe 2-3 times per week, so that they do not become dependent on you as a food source.


Make sure what you are feeding them is suitable. Ask a garden centre for advice if you need help. If using peanuts, they must be completely natural (not roasted) and unsalted!


If you decide to stop providing food, you must do so gradually. Slowly reduce the amount you are feeding over a month or so, allowing the animals to adjust naturally. Otherwise, you could end up unintentionally starving some individuals.


Getting Close for Photography


Many garden birds will allow you to sit quietly near the feeders, as they will eventually get used to you. However, if you want more freedom to move without scaring them away, get yourself a small tent hide (blind). These are available on Amazon at relatively cheap prices. A shooting blind will do the job perfectly.


Hide


Making an Area Photogenic


So by now you have the wildlife, but you still need to capture those stunning shots. A bird on a feeder isn’t the most attractive of images, but there are some neat tricks to avoid this.


Place some gnarled twigs and sticks around the feeders. If you need to, strap them to a pole so they are held horizontally. Birds will use these as queueing platforms for the feeders, waiting their turn to feed. You can utilize this moment to capture some lovely portraits of the birds on these photogenic branches. If you’re lucky, you may even get two birds fighting for pride of place.


You should also be wary of your backgrounds. If you are photographing with a messy backdrop, it will likely come out in the image and be distracting. If there’s no choice of positioning next to something plainer, then consider hanging a dark green sheet at a distance behind your subjects. This will create a pleasing bokeh for your photographs.


Red Poll and Siskin Fight


Be Patient


The key to wildlife photography is patience. Changes won’t just happen overnight. Provide food and wait, and eventually you’ll see results. It shouldn’t take too long, but birds don’t have a radar which tells them as soon as food is available – they have to find it first!


That’s just about it. Fine-tune your feeding stations overtime, adding or subtracting elements depending on what works and what doesn’t work. Good luck!


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Jun 1, 2014

[[Optical Component]] Laser material processing system

The present invention relates to a laser material processing system for processing a workpiece by means of a laser beam, comprising an optical system having at least one optical component for focusing the laser beam to form a focal point on the workpiece or in a defined position relative to the...



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[[Optical Component]] Contrast enhancing system

A contrast enhancing system is provided comprising: a digital micromirror device (DMD); a light source; a first integrator that receives light from the light source, comprising lateral long and short dimensions, the lateral short dimension at a non-zero angle to the DMD tilt axis; a second integrator that receives and shapes...



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[[Optical Component]] Alignment pin and optical communication system

An alignment pin for an optical communication system comprises: a first portion (31) extending along a direction in a receiving hole of a printed circuit board, a second portion (32) extending along this direction in a receiving through hole of an optical coupling device, a third portion (33) extending along this...



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[[Optical Component]] Optical component and method for manufacturing same

An optical component of the present invention is composed of a ZnSe polycrystal body, and the ZnSe polycrystal body is constituted by crystal grains with an average grain size larger than or equal to 50 μm and smaller than or equal to 1 mm and has a relative density higher than...



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