Jun 26, 2022

[Photography] 10 Nature Photography Ideas (for Easy Inspiration)

The post 10 Nature Photography Ideas (for Easy Inspiration) appeared first on Digital Photography School. It was authored by Karen Quist.

nature photography ideas (for easy inspiration)

Stuck in a creative rut? Don’t worry.

In this article, I share 10 inspirational nature photography ideas, which include plenty of subjects you can find in your own backyard. The ideas are simple, but don’t let that fool you; many of the best nature shots are taken with the most basic of subjects.

(I also offer plenty of nature photo examples. That way, as you go along, you can see the potential each idea offers!)

Let’s dive right in, starting with:

1. Flowers and leaves

nature photography ideas orchid
Cymbidium orchid | Canon 5D Mark III | Canon 100mm f/2.8 Macro | 1/100 sec | f/4 | ISO 640

If you’re looking for the perfect backyard nature photography idea, then consider shooting flowers and leaves.

As you’re likely well aware, flowers and leaves are everywhere, and they offer an endless variety of colors, shapes, and textures for you to photograph.

You could create a collection of shots based on a single color scheme, or you could experiment with different compositions by photographing as many different leaf or flower shapes as possible.

nature photography ideas
Violet leaves | Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/30 sec | f/8 | ISO 800

And try working with different lighting directions. Head out in the evening when the sun is low in the sky, then try to take some beautiful backlit shots that emphasize flower details and leaf veins:

backlit daffodils
Erlicheer daffodils | Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/640 sec | f/4 | ISO 100
backlit leaves
Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/250 sec | f/4 | ISO 100

Then adjust your angle until you get some nice front light, which will help describe the subject in all its glory:

nature photography ideas
Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/800 sec | f/4 | ISO 100

Flowers are seasonal, and in temperate zones, spring and summer offer the widest variety of subjects. There are still flowers to be found in winter, although you may need to look harder. Don’t be afraid to photograph dead flowers, and don’t forget that weeds, such as dandelions, are also beautiful!

nature photography ideas
Summer lavender | 1/200 sec | f/3.5 | ISO 100

As for leaves, you can shoot them year-round, though autumn does provide the best color spectrum.

nature photography ideas
Liquidambar leaves | Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/80 sec | f/4 | ISO 640

2. Fruit, berries, and seed pods

nature photography ideas
Kumquat | Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/50 sec | f/4.5 | ISO 2500

When the summer flowers disappear, fruits and berries are nature’s way of providing for birds and animals throughout the colder months. And these subjects can provide plenty of opportunities for photographers, too!

Many berries and seed pods ripen toward the end of autumn, and they can look great when shot against leafy backdrops.

nature photography ideas
Bunches of red berries | Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/100 sec | f/5 | ISO 500

And in the winter, you can photograph red berries against white snow. Make sure to choose your exposure carefully as snow-filled scenes can cause problems for camera meters.

You can also photograph acorns, pine cones, and nuts. I’d recommend shooting cloudy days, which will help you emphasize lots of intricate details:

nature photography ideas
Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/500 sec | f/8 | ISO 800
nature photography ideas
Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/1250 sec | f/5 | ISO 500
nature photography ideas
Orange rosehip | Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/160 sec | f/5 | ISO 500

3. Water droplets

Photographers love to photograph raindrops on window panes, but did you know that it’s possible to combine the beauty of raindrops with the lush, verdant hues of nature?

Simply wait until a rain storm ends, grab a macro lens (or your closest-focusing lens), and head outside. Get low to the ground, and carefully observe leaves and grass for water droplets:

nature photography ideas
Arthropodium leaves after the rain | Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/80 sec | f/4.5 | ISO 800

Make sure to keep the background uncluttered to avoid drawing attention away from the droplets. Try shooting with a wider aperture and adjusting your angle to create distance between the droplets and the background. Both of these techniques will increase background blur, which will deemphasize distracting features and create a beautiful bokeh effect!

droplets on sticks
Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/125 sec | f/4 | ISO 640
nature photography ideas
Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/125 sec | f/4 | ISO 1000

4. Mushrooms, toadstools, and fungi

Mushrooms are ugly photo subjects, right? Not necessarily!

You see, while mushrooms might seem ugly at first glance, once you spend time studying them, you’ll find plenty of hidden beauty worth capturing.

You’ll generally need a macro lens – most mushrooms are tiny, after all! – and you’ll need to be prepared to get down in the dirt for the best images.

These mushrooms looked boring, but when I flattened myself against the ground and found the right light, they suddenly became interesting:

nature photography ideas
These tiny mushrooms were no bigger than the fingernail on my pinky finger! | Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/160 sec | f/8 | ISO 800

When is the best time to go mushroom hunting? I’d recommend heading out in autumn and winter, though you can also find good subjects just after a spring or summer rain. Look in damp, mossy places, on the sides of trees, and in log piles.

My personal favorites are the red toadstools with white speckles. They are evocative of fairy tales and magic, and their colors are incredible:

nature photography ideas
Toadstool | Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/250 sec | f/6.3 | ISO 1000
nature photography ideas
Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/160 sec | f/6.3 | ISO 1000

5. Shoot up and down

Don’t just photograph the nature subjects right in front of you; instead, go for a walk in the woods, and make sure you spend plenty of time looking up into the sky and down at the ground.

You can create beautiful tree-canopy images using a wide-angle lens:

tree against blue sky looking up
Sigma 35mm ART lens | 1/60 sec | f/11 | ISO 160
nature photography ideas
Sigma 35mm f/1.4 lens | 1/100 sec | f/11 | ISO 160

And you can have lots of fun just lying on the ground, shooting up at the branches. Bonus: It can be pretty relaxing!

Also, when photographing upward, notice how the light changes from early morning into late afternoon and evening. Branches contrast beautifully against a blue sky, and their look is in constant flux depending on the lighting.

nature photography ideas
Sigma 35mm f/1.4 lens | 1/200 sec | f/11 | ISO 200

Clouds can make beautiful subjects, too. Look for vertical cloud formations, white fluffy clouds, and those lovely soft colors around the edge of the clouds at dusk and dawn.

You can also turn your attention downward. The ground features a million microcosms; look among the moss, around the lawn, between paving stones, and in the fallen bark and leaves. Lie flat on your stomach and peer into another world. And don’t forget that close-up lens!

nature photography ideas
The moss on a tree trunk | Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/40 sec | f/4 | ISO 640

6. Black and white beauty

When we think about nature photography, we often imagine bright colors and stunning sunsets…

…but it’s possible to create beautiful black and white nature photos, so you definitely shouldn’t dismiss the idea.

Nature provides sculptural shapes and contrasting textures that make great black and white subjects. For instance, you can photograph succulents and cacti in harsh light, then watch as they become artistic abstracts after a quick black and white conversion.

nature photography ideas
 Canon 5D Mark III | Canon 100mm f/2.8L IS Macro | 1/100 sec | f/8 | ISO 100

Smooth pebbles, rough bark, snail shells, acorns, and pine cones all look fabulous in black and white, too. Look for intense, directional lighting, and don’t be afraid to push the contrast in editing:

nature photography ideas
When I converted this file to black and white in Lightroom, I played with the sliders in the B&W panel. The photo on the left has the Blue slider pulled all the way down to -100 to darken the sky. The photo on the right has the Blue slider set to 0.

7. Experiment with sun flare and haze

Nature photographers often obsess over perfect technique, but the truth is that you can capture stunning photos by embracing, rather than avoiding, issues like sun flare and haze.

Simply find subjects that are backlit – such as tree canopies in the middle of the day, or flowers at sunset – and capture some shots. Each time you take a photo, be sure to review it on your camera LCD to see whether you like the effect (it can be pretty hit and miss, but over time, you’ll get better at predicting your results).

nature photography ideas
Canon 85mm lens | 1/800 sec | f/4 | ISO 100

It can often help to position the sun in the frame or just outside of it. You might also try positioning the main subject so the sun peeks out from behind its edges.

And for the strongest flare effects, make sure to remove your lens hood. That’s how I captured this image:

nature photography ideas
Shot with sun flare and no lens hood | 1/1000 sec | f/4 | ISO 100

8. Snails, bugs, and spiders

This nature photography idea is one that you can follow from your backyard (or even from inside your house!).

Simply hunt around for spiders, ants, centipedes, bees, dragonflies, caterpillars, moths, butterflies, and snails. Then, when you find them, get down low, get close, and capture some amazing shots!

I’d recommend using a longer lens; that way, you can avoid scaring the subjects (and you can avoid getting too close yourself!).

And for especially creative shots, make sure to play around with different apertures and lighting effects.

9. Birds and other wildlife

I’m going to be honest:

Compared to flower and leaf photography, wildlife and bird photography is hard.

For one, it requires specialized gear. The longer your lens, the better – and 300mm is generally considered a wildlife photography minimum.

Plus, it requires a lot of patience. You can spend long minutes or even hours waiting for subjects that never seem to appear.

If you’re willing to put in the money and effort, however, capturing wildlife and birds can be a lot of fun!

I’d recommend doing some research into local wildlife hotspots. Then head out with your longest lens during the early morning and late evening. See what you can find.

Make sure you keep your shutter speed fast enough to freeze any action, and be sure to set your camera to its fastest burst mode setting.

If you like the idea of bird photography but you don’t want to spend tons of time searching for subjects, consider creating a feeder setup in your backyard. Then add a perch or two, and – voila! – you can capture stunning bird photos from your kitchen window.

10. Portraits in nature

Nature photography doesn’t have to feature only nature. It’s possible to combine nature scenes and human subjects for beautiful images:

nature photography ideas
1/320 sec | f/4 | ISO 320

Scout around for potential backgrounds. Look for a bank of flowers, a bed of autumn leaves, or just a green hedge.

Then wait until the light is right (a cloudy day is generally safe!), take your subject to the location, and do a fun photoshoot!

Pro tip: If you plan to shoot in a location with lots of colors, such as flowers or autumn leaves, pay attention to your subject’s outfit. Pick simple clothing without eye-catching patterns:

nature photography ideas
1/400 sec | f/4 | ISO 320

Nature photography ideas: final words

So there you have it:

Plenty of ideas for beautiful nature photos!

So no matter the seasons, get outside with your camera and try an idea or two!

Which of these ideas do you plan to try first? Share your thoughts in the comments below!

Table of contents

Nature Photography

The post 10 Nature Photography Ideas (for Easy Inspiration) appeared first on Digital Photography School. It was authored by Karen Quist.



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Jun 25, 2022

[Photography] 8 Tips to Make Your Portrait Subjects Comfortable

The post 8 Tips to Make Your Portrait Subjects Comfortable appeared first on Digital Photography School. It was authored by James Maher.

tips to make your subjects comfortable

If you want to capture amazing portrait photos, then you must make your subjects comfortable. A comfortable subject looks natural and genuine; an uncomfortable subject looks stiff, withdrawn, and frozen.

So how do portrait photographers do it? How do they keep their subjects feeling relaxed, day in, day out?

I’ve been shooting portraits for years, and over time, I’ve developed a handful of techniques that help my subjects loosen up. While I can’t guarantee that my approach will work for every subject – some subjects will never relax no matter what you do – most of them will rise to the occasion if you can foster the right environment.

Below, I share my best advice for making your portrait subjects comfortable, so let’s dive right in, starting with my first tip:

1. Assess the subject’s personality

Business Portrait Session

Before you take a single photo, consider your subject. Everyone has a different relationship with the camera! Some subjects will have done portrait sessions previously and may be all business. Some will be extroverted and love the attention. Others will be uncomfortable at first but will open up after a little time.

The toughest folks to photograph are those who come in looking incredibly uncomfortable and stiff. To these people, a portrait session is worse than a trip to the dentist. (Seriously, there are many people who would rather go to the dentist than sit for a portrait session!)

These subjects will be the toughest to work with. They often feel they look terrible in front of the camera – in fact, they often do look terrible because their discomfort is instantly noticeable in their photos.

So make sure you spend some time analyzing your subject. Are they extroverted or introverted? Do they like to joke and talk or are they more reserved? Are they in the middle of a busy day, or do they seem more relaxed? Do they give you a stiff smile? These are all indicators that you can pick up on, and you can use these cues to figure out the best way to get through to them.

Bottom line: The better you can understand your subjects, the better you’ll be able to get them to enjoy working with you. And eventually, if you take the right approach, they’ll become comfortable in front of the camera (and take some great photos!).

2. Talk with your subject before the session

Whenever possible, as soon as you meet your subject, introduce yourself. Don’t get straight to the photography; instead, ask them how their day is going. Get them talking, then explain what you’re going to do and how the session will work.

Business Portrait Session

Tell your subject that you are looking for natural images, casual smiles, and comfortable poses. Let them know that you will direct them over the course of the session, but also mention that they can always bring up ideas if they have them.

Is there a way that they feel comfortable standing? Tell them to speak up. Do they want to try something new? Tell them to communicate it. In my experience, the best shoots are those that turn into a collaboration between the photographer and the subject.

3. Help them pose, then change it often

Many subjects are nervous about posing, so before you begin shooting, explain that you will direct them in different poses, but that you ultimately want them to stand in a way that feels comfortable.

If you have the time, you can have your subject collaborate on the poses. Ask them: How would you naturally stand or lean here? If you have specific poses in mind, demonstrate them. And if necessary, show them a few example images on your phone or tablet.

Business Portrait Session

As you work, keep your subject moving. Start with a clear pose, then ask them to change it slightly every few shots. This is about keeping them fluid and comfortable; the constant movement will prevent them from becoming stiff and still.

It’s hard to overemphasize the value of a pose change. The second your subject starts to look uncomfortable, get them to do something different. Change their hands or their stance. Move them to another location. Every time you change the pose is another chance for them to reset themselves and get comfortable.

One more thing: The hands are at least as important as the body. If the subject’s hands feel comfortable, there is a good chance the rest of their body will fall into place. Some subjects can get very stiff with their hands if you don’t give them direction, so be sure to offer hand posing suggestions. Do you want the hands in front, in the pockets, or crossed over their chest?

I usually start by giving some suggestions, then I ask them to position their hands the way that they would normally stand (this often yields a very comfortable pose). When I’ve exhausted those photo opportunities, I’ll ask them to cross their arms, then go from there.

DPS_business_portraiture_2

4. Tell them what they are doing right

If your subject is doing something right, tell them! Give them positive reinforcement. Never tell them they look awkward; they will just freeze up even more. I constantly say some variation of, “That looks great!” or offer more specific compliments. Positivity just keeps things heading in the right direction.

If you like someone’s smile, let them know. They will instantly feel good, and it will help them recreate the look when you need it. You can later say, “Give me that smile from before.” If they have trouble doing it, plead and beg them for it in a funny way so they feel comfortable again.

You can tell subjects not to do specific things, but be careful with your phrasing. You don’t want to make them feel uncomfortable or kill your momentum. Instead of saying, “Your hands don’t look right,” try, “I think your hands might be a little better this way.” Even criticism can be spun in a positive way.

Business Portrait Session

5. Prepare conversation topics and jokes

It might sound cheesy, but if you prepare a few lines of conversation, you’ll have a much better chance of getting through to your subjects. After you introduce yourself, ask a couple of simple questions, such as “Are you from [blank]?” or “How has your day been?”

And if your subject isn’t in a rush, keep asking questions, even as you shoot. Try to hone in on a topic of interest. I find that a good conversation over the course of a session can make the whole thing much more comfortable. The more you get your subject talking, the more they can break out of their shell. At the very least, they’ll like you!

Business Portrait Session

You don’t need to write knock-knock jokes, but I do recommend you think of some funny things ahead of time to talk about or to use in tough situations. When a subject begins a session by explaining how much they hate being photographed, I try to say something like, “Well, you’re going to hate me, then!” A dentist joke will work, as well. I then tell them that they are in good hands and not to worry. A quick and funny comeback will make them feel like you are prepared.

And I’ll always have conversational topics that I bring up as needed – on current events, sports, the weather, and more.

DPS_business_portraiture_3

6. Use your strengths to your advantage

Are you an extrovert who can charm and joke with anyone? Then use your social skills! You’ll definitely have an easier time getting your subjects to laugh and open up, though you’ll need to be careful not to overdo it. If you talk too much, you risk stopping the subject’s personality from showing through in the images.

Instead, bring the jokes and conversation, but also make yourself ask questions. Stop and listen a little bit more. Don’t just lay on the charm; create an environment where the subject feels comfortable enough to open up to you.

Are you an introvert who is uncomfortable trying to joke and talk with subjects? If you play your cards right, this can actually be an advantage – but you’ll need to gain some experience working with people.

You see, your advantage is your ability to listen and react. Ask your subjects questions, then play off what they say. Pay attention to their emotions. Get them talking about things they are passionate about. Have them open up to you.

Business Portrait Session

Be confident and explain what you are doing, but take on a more reactive role. Watch videos of other portrait photographers, both the talkative ones and the quieter ones, and pay attention to what they say. Think about funny things you can say.

In my experience, introverts initially need to put in extra effort to get good at in-session conversation, but after enough experience, the advantages can swing back in their favor due to their listening skills.

Business Portrait Session

7. Don’t show the subject images while you are shooting

I always try to avoid showing subjects the images until the very end. Sometimes they’ll insist on seeing the shots and you’ll have no choice, but do what you can to prevent this.

You see, when subjects look at photos of themselves, especially if they seem self-conscious, it can quickly ruin their ability to feel comfortable later on in the session.

Plus, only about 20% of your shots will actually be good, and if your subjects look at the back of your camera, they’ll see the 80% that you’ll end up deleting.

Business Portrait Session

Finally, for the most uncomfortable subjects, the photos at the very beginning of the session just won’t be good. The first group of shots is about going through the motions to make them feel comfortable over the course of the session. In such cases, showing your subjects the images midway through the shoot will throw them off their game!

8. Know that you can’t win them all

No matter how charming or funny or thoughtful you are, and no matter the number of many tricks you try, you will probably fail a few times.

You can only work with what your subject gives you! Portrait photography can be stressful, so always keep that in mind. Always put in maximum effort, and spend more time with the subjects that are having trouble, but at the end of the day, you can’t force an uncomfortable subject to feel comfortable. That’s just not how it works.

Making your portrait subjects comfortable: final words

Capturing natural-looking portraits might seem hard, but now that you’ve finished this article, you’re ready to handle nearly anything!

So remember these tips. Prepare the necessary jokes and conversation topics. And have fun!

Which of these tips do you like best? Which will you use in your next portrait session? Share your thoughts in the comments below!

Table of contents

Portrait Photography

The post 8 Tips to Make Your Portrait Subjects Comfortable appeared first on Digital Photography School. It was authored by James Maher.



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