Aug 24, 2025

[Photography] Introducing the Godox AD400 Pro II Studio Light

The post Introducing the Godox AD400 Pro II Studio Light appeared first on Digital Photography School. It was authored by Sime.

The team at Godox have released the version two of their well loved AD400 Pro series of portable studio lights, or as they like to call them, the All-in-One Outdoor Flash.

Introducing the Godox AD400 Pro II Studio Light

400 Ws & 1/8000 Ws HSS ?

With 400 Ws of output and up to 460 full-power flashes per charge, the AD400ProII delivers sustained, studio-grade performance on location. High-speed sync up to 1/8000 Ws lets you freeze action and balance flash in bright conditions. Whether you’re shooting high-dynamic sports or ultra-short exposures in daylight, every detail comes through with stunning clarity.

Introducing the Godox AD400 Pro II Studio Light

Ultra-Fast Freeze Mode

The AD400ProII can freeze even the quickest motions with an ultra-short flash duration of up to 1/27770 second (t0.1). This lets you capture razor-sharp images of flying water droplets, speeding vehicles, or any fast-moving subject. Coupled with a lightning-fast recycle time (as quick as 0.01 s), the AD400Pro II keeps pace with your creativity without missing a beat.

Introducing the Godox AD400 Pro II Studio Light

1/512 Fine Power Control

AD400 Pro II offers 10 power settings from 1/512 to full power, allowing pinpoint adjustment of flash output for consistent, repeatable exposures.

Introducing the Godox AD400 Pro II Studio Light

30?W Bi-Color Modeling Lamp

The built-in 30?W bi-color LED offers Constant mode for manual brightness (10?%–100?%) and color temperature (2800?K–6000?K), plus Prop mode, where brightness follows flash output. Stable, flicker-free illumination also doubles as a continuous video light.

Introducing the Godox AD400 Pro II Studio Light

2.4?GHz Wireless X System

Equipped with Godox’s 2.4?GHz Wireless X system, the AD400ProII ensures fast and stable multi-light communication. With the X3 trigger, one-tap sync connects all units instantly—no manual group or channel setup needed. It also works seamlessly with Xpro II, X2T, X1, and other X-series transmitters. For expanded triggering options, the USB-C port supports the optional FR433 433?MHz receiver.

Introducing the Godox AD400 Pro II Studio Light

Group Indicator Lights

16 distinct lights assign each group a unique color, so you can identify and adjust any unit at a glance—even in low light or from a distance. Just select the group’s color on screen and tweak power or sync settings instantly, keeping your shoot running smoothly.

Introducing the Godox AD400 Pro II Studio Light

Intuitive Color Display & Controls

Adjust settings instantly using the bright, full-color TFT display, where all key functions are laid out clearly and intuitively. A single press-and-hold of the modeling-lamp button toggles the lamp on or off, putting control at your fingertips and speeding up your workflow.

Introducing the Godox AD400 Pro II Studio Light

Universal Modifier Compatibility

The AD400ProII features both a Godox mount and an included Bowens adapter. Swap between them to use a wider range of modifiers from either ecosystem, unlocking more creative versatility.
*Bowens adapter installs without blocking the Godox mount.

Introducing the Godox AD400 Pro II Studio Light

And much more! You can head over to the Godox website for the full list of features.

Learn more about the Godox AD400ProII on their website here.

The post Introducing the Godox AD400 Pro II Studio Light appeared first on Digital Photography School. It was authored by Sime.



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Aug 14, 2025

[Photography] Insta360’s Antigravity A1 8K 360º Drone Takes off!

The post Insta360’s Antigravity A1 8K 360º Drone Takes off! appeared first on Digital Photography School. It was authored by Sime.

A quick press release for those of you that like to take to the skies! (I know I do) but this time, we’re talking about a 360 camera!

The team at Insta360’s new independent drone brand, Antigravity, have unveiled their new drone the Antigravity A1, the world’s first drone with built-in 8K 360 capture. That sounds impressive and like a whole lot of memory card is going to be needed! ?

Key Features

  • 8K 360 capture with top-and-bottom lens configuration.
  • 360 immersive live view and head tracking via the Vision goggles.
  • Invisible drone effect through advanced image stitching.
  • Intuitive point-to-fly controls with the Grip controller.
  • Never miss a shot with easy post-flight reframing and editing.
  • Compact and lightweight at 249g for license-free flying in most countries and regions.
  • Safety features including return-to-home and a payload detection system.

This is also the first product from Antigravity, the new drone brand incubated by Insta360 in collaboration with third parties. A1 combines immersive flight in 360 degrees, an exceptionally accessible flying experience, and limitless creative possibilities.

The Antigravity A1 uses a dual-lens 360° camera to capture its surroundings in every direction. Its advanced stitching technology seamlessly removes the drone from both live view and recorded footage, delivering an immersive, distraction-free experience that puts pilots right inside the scene.

Insta360's Antigravity A1 8K 360º Drone Takes off!

With every angle recorded in ultra-sharp 8K, pilots no longer need to worry about framing shots mid-flight. Instead, they can reframe their footage freely during editing—making flying simpler and reducing the chance of missing key moments. In post, creators can export in any aspect ratio without sacrificing quality and experiment with effects like Tiny Planet or horizon flips. Those familiar with the Insta360 X Series will feel right at home shooting and editing 360° footage with the Antigravity A1.

“The Antigravity A1 is unlike anything we’ve ever brought to market, and it’s poised to transform drone flight in multiple ways,” says Max Richter, Co-Founder and VP of Marketing at Insta360. “It makes immersive drone flying accessible to more people, while giving both hobbyists and professionals a powerful new way to capture and share their stories.”

Insta360's Antigravity A1 8K 360º Drone Takes off!

You can find the full release over on the Insta360 blog, we hope to get hold of one to test for you dPS drone pilots!

The post Insta360’s Antigravity A1 8K 360º Drone Takes off! appeared first on Digital Photography School. It was authored by Sime.



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Aug 7, 2025

[Photography] Landscape Photography for Beginners: A Comprehensive Guide

The post Landscape Photography for Beginners: A Comprehensive Guide appeared first on Digital Photography School. It was authored by Barry J Brady.

Landscape photography for beginners

Reading back over a handful of our Landscape Photography articles and thought I’d re-share this gem with a couple of thoughts:

These days, landscape photography isn’t just about having the fanciest gear — it’s more about how you see and respond to the world around you. Photographers like William Patino talk about getting out there with an open mind, letting the light and weather guide what you shoot instead of sticking to a strict plan. (From an article I read on another great photo blog) And YouTubers like Mark Denney often remind us that developing your creative eye matters more than chasing the latest camera upgrade. (No, really) It’s all about learning to see great shots in everyday moments.

At the same time, new tools and techniques are making it easier than ever to get creative. Long exposures (especially with ND filters) are super popular for making water look smooth or capturing movement in the clouds — and shooting in RAW format gives you more freedom when editing later. There’s also a big push lately to play with composition. Sure, classics like the rule of thirds and golden hour are still gold, but people are experimenting more — using angles, layers, and even ideas from art and science to create more interesting shots. So don’t be afraid to try new things!

Updated 7 August, 2025. ??

Landscape photography is an amazing activity filled with excitement, beauty, exhilaration, and so much more. And in my view, landscape photography isn’t especially difficult – but it does require dedication, passion, and a bit of knowledge.

In this article, I offer my best tips for beginner landscape photography. I explain how to find the best subjects, how to choose the right gear, and how to handle your camera settings in the field; in fact, you can think of this as a mini landscape photography crash course covering all the basics.

So if you’re a landscape photography newbie and you want to know how to get started, or you’re not sure if landscape photography is right for you but you’re interested in exploring the genre, then keep on reading!

1. Start by researching potential locations

Beautiful landscape photography generally starts with a beautiful subject. Depending on where you live, you may have to drive a fair distance to find some great landscape scenes, or you may be lucky enough to have a few stunning vistas a few miles away.

Regardless, I encourage you to spend some time researching every potential location before heading out. That way, you can optimize your time in the field, and you rarely get stuck hunting for a nice composition while the light fades.

Beginner landscape photography

Before visiting a new location, I often do a bit of googling. I’ll do a search like “landscape scene + [my location]” and browse the Google Image results. Even if you just want to shoot nearby and think you know the area, it’s generally worth doing a quick search; sometimes, you’ll encounter a gorgeous scene that you didn’t know was in the area!

Anyway, use Google Image photos to compile a list of possible shooting locations. (If you don’t find much on Google, you can also check out 500px, Instagram, or even Flickr, all of which feature plenty of great landscape photography!)

It’s also important to keep in mind your shooting requirements and preferences. Do you want to capture a sunrise? A sunset? A mountain? A reflecting pool? A forest? While it’s great to keep a list of all possible locations in an area – and it’s always handy to have backups in case a location doesn’t work out – I’d recommend prioritizing certain areas based on your interests.

Beginner landscape photography

Once you’ve identified several great locations, you may think you’re ready to head out and shoot, but I’d recommend opening an app like PhotoPills or The Photographer’s Ephemeris. Drop a pin on your potential shooting location, then check the sun positions, the moon positions, and any other relevant information. Then time your photoshoot to coincide with the perfect conditions!

(What conditions are best for landscape photography? That’s what I discuss in my next beginner landscape photography tip!)

2. Shoot in the right light

It’s technically possible to capture great landscape shots at any time of day, but most landscape shooters like dramatic colors and soft light – which is why it’s generally best to photograph at sunrise and sunset.

Sunrise and sunset are known as the golden hours because they offer such beautiful, warm light. Unfortunately, the incredible light doesn’t last for very long, so it pays to arrive at least a half hour (or more) before the light show begins; that way, you’ll have plenty of time to select a composition and set up your camera.

Beginner landscape photography

Once you’re out in the field, you should pay careful attention to the direction of the light. Side light – which comes from off to the side of the camera – is a great way to produce photos with three-dimensionality and lots of texture, though backlight can create dramatic results, especially if the sky features a glorious sunrise or sunset.

And speaking of glorious skies: If possible, try to photograph on days when the sky features enough cloud cover to produce eye-catching colors, but not so much cloud cover that everything looks gray and drab.

One more landscape photography lighting tip: While the golden hours work great for most locations, you can also capture beautiful shots during the blue hour – that is, the brief window just before sunrise and just after sunset, when the light turns soft, ethereal, and (as the name suggests) cool. Because of the limited light, blue hour photography is more technically demanding than golden hour photography, but as long as you use a tripod and take steps to prevent camera shake, you can create some gorgeous photos.

3. Choose the right beginner landscape photography gear

Landscape photography is a gear-intensive genre. Sure, you can produce decent landscape shots using only a kit-lens-equipped setup or even just a smartphone, but if you want stunning, printable images that feature plenty of detail and incredible tonal range, you’ll want to purchase a few specific items of equipment.

Of course, you can’t shoot landscapes without a camera, so that’s where I’d start. You may already own a decent model, but if not, I’d recommend purchasing some sort of interchangeable lens camera that offers a decent number of megapixels (20+ MP is pretty standard nowadays and should be sufficient for large prints). There are plenty of great mirrorless and DSLR models for landscape photography, and they’ll all do a very solid job.

Beginner landscape photography

You’ll also want a decently wide lens with sufficiently sharp glass. A kit lens (i.e., the lens that comes bundled with most beginner cameras) can work, but if you want better landscape optics, look for a wide-angle zoom or even a wide-angle prime or two.

Next, you’ll need a tripod, and unless you’re really not sure whether this whole landscape photography thing is for you, I’d encourage you to really invest in a sturdy product. Most landscape photography scenarios – such as golden hour and blue hour – offer minimal light, which will force you to slow down your shutter speed. And a slow shutter speed will produce lots of blur – unless your camera has rock-solid support in the form of a tripod.

Tripods can be expensive, but it’s important to remember that a good tripod can make a huge difference. Also, a solid tripod will last a long time, so you won’t need to replace it anytime soon.

Fourth, you’ll need a remote trigger, which will allow you to trip the camera shutter without actually pressing the shutter button. (Why is this necessary? Pressing the shutter button will produce camera shake, which will cause blur, even if your camera is mounted on a tripod.)

When I was a beginner landscape photographer, I took a while to buy a remote release. Then, once I had one, I wondered why I took so long to get it! Remote releases don’t cost very much, but they’ll help keep your photos sharp, which is essential.

Finally, it’s worth mentioning a few landscape photography filters. Graduated neutral density filters allow you to capture a bright sky and a dark foreground in a single frame – though these days, many landscape shooters rely on HDR exposure blending to achieve the same result.

Then there are polarizing filters, which will reduce reflections on wet rocks, lakes, waves, and foliage. They’re great if you plan to shoot a lot of water and forest photos, but they’re not absolutely essential, so it’s up to you whether you want to invest. And neutral density filters block out the light so you can lengthen your shutter speed to produce beautiful long-exposure effects. While you won’t need one of these right away, they’re certainly worth keeping in mind for the future!

4. Choose the right settings

Once you have the right gear, know how to find good locations, and are familiar with different types of light, you’ll need to understand key landscape photography settings.

Unfortunately, there are no formulas for creating perfect shots – each new scenario should be evaluated on a case-by-case basis – but I can offer some handy guidelines.

Beginner landscape photography

First, you’ll generally want everything in your scene to be in focus. I’d encourage you to switch your camera to Manual mode, then dial in an aperture setting of at least f/8 (and potentially f/11 or even f/16 if the scene features a lot of depth). Then focus your lens about a third of the way into the landscape scene to approximate the hyperfocal distance and maximize sharpness.

(It can help to initially use your camera’s autofocus, then switch your lens to focus manually once you’ve set focus correctly. That way, you don’t need to worry about your camera refocusing as you make adjustments to your settings.)

Once your aperture has been set, you’ll want to choose your ISO. An ultra-low ISO is basically always best; I’d recommend setting your ISO to 100 (or your camera’s lowest native setting) and keeping it there. That way you can avoid unpleasant digital noise effects and retain as much detail and dynamic range as possible.

Beginner landscape photography

Next, you’ll need to set your shutter speed. Since you’ll have already dialed in an aperture and an ISO, you should simply choose a shutter speed that produces a good exposure. Depending on the light levels, you may need to drop your exposure to a couple of seconds (or more) to get a good shot, and that’s okay. In fact, lengthy shutter speeds can produce beautiful long-exposure effects; water turns soft and silky, while clouds stretch out across the sky.

Note that if your shutter speed is too long for your tastes (for instance, you want to capture blowing trees or crashing waves in sharp detail), you can widen your aperture or raise your ISO, but do so sparingly – such adjustments come with a cost!

One final settings tip: Make sure that you set your camera to capture RAW files, not JPEGs. RAW files are bigger and require processing, but they retain far more detail and are easier to edit, so it’s essential that you shoot in RAW.

5. Review and post-process your landscape photos

Once you return from a shoot, download your images and peek at the results. You’ll want to purchase some form of editing software (I recommend Adobe Lightroom Classic), and you should use it to organize your images. Put the successful photos in one folder, put the unsuccessful photos in another folder, and choose your absolute best shots from the “Successful” file to be edited. (You may find that you’ll shoot 100 images and only a couple are worthy of editing, and that’s okay!)

Editing might seem difficult, but it mostly just involves a lot of experimentation. My best advice is to take your time and test out each effect. Make sure you adjust the white balance to neutralize any problematic color casts, fiddle with different exposure and tonal sliders to bring out plenty of detail, and try boosting the colors and contrast to add a bit of punch.

Beginner landscape photography

Note that if you come up with an editing effect that you like, you can generally save it as a preset so you can use it again and again (though the specifics will depend on your editing program).

And if you struggle at first to edit your landscape photos, don’t worry. You’ll quickly become familiar with the different effects, and before you know it, you’ll be adjusting those editing sliders like a pro.

Landscape photography for beginners: final words

Landscape photography is incredibly satisfying, and with the right approach, the rewards are often unreal. Of course, you have no control over the weather or the light, and the conditions won’t always work out – but when they do, you’ll feel exhilarated!

At the end of the day, the most important tip is to take your time. Don’t rush the process, and don’t pack up until you’re certain you cannot get a better shot. Always go out and have fun. Even if the light doesn’t play along or the weather isn’t what you hoped for, you can use an outing as a practice session. Pretty soon, you’ll be capturing those breathtaking scenes with ease!

What type of landscape photography do you plan to shoot? Share your thoughts in the comments below!

The post Landscape Photography for Beginners: A Comprehensive Guide appeared first on Digital Photography School. It was authored by Barry J Brady.



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Jul 25, 2025

[Photography] New Gear Alert: Mini Flash, Maxi Fun! iT20/22 from Godox

The post New Gear Alert: Mini Flash, Maxi Fun! iT20/22 from Godox appeared first on Digital Photography School. It was authored by Sime.

Introducing iT20/iT22 iFlash Camera Flash. 45g Ultra-compact body with TTL function, perfect for both indoor and outdoor use, easily fits in your pocket for anytime creativity. Innovative magnetic accessories for quick light effect switching, creating unique atmospheres and creative possibilities.

Smart TTL, Effortless Results
Say goodbye to complex setups. Our mini TTL flash delivers perfect lighting instantly, empowering you to shoot faster and smarter.

45g Ultra-Compact Design
Its featherlight build takes up minimal space, ensuring you’re always prepared to seize life’s precious moments.

One-Touch M/TTL Mode Switching
Toggle between manual and TTL modes instantly via a dedicated button. The high-definition display shows clear, real-time settings for rapid adjustments.

Magnetic Accessories: Creativity Unleashed
Equipped with magnetic snap-on diffusers, color filters (CTO/CTB), creative gels, and honeycomb grids, the iT20/iT22 transforms light in seconds. Experiment with atmospheric effects and craft distinctive visual stories.

700+ Flashes & 1.5s Recycling
Shoot uninterrupted with 1.5-second recycle times at full power and a remarkable 700-flash battery endurance.

New Gear Alert: Mini Flash, Maxi Fun! iT20/22 from Godox

Precise Power Control
Adjust flash intensity across 6 stops (1/32 to 1/1 power) in precise ±1/3-step increments for total command over your lighting.

Lightweight Lithium Battery

The built-in lithium battery charges swiftly via USB-C—keeping your creativity powered through extended shoots.

Elevate your flash—literally

The Optional TR TTL Hot Shoe Riser lifts your flash by 30mm, ensuring better clearance from the frame edge when using wide or protruding lenses. Compatible with Canon E-TTL II, Nikon i-TTL, Sony, Fujifilm, OM System and Panasonic TTL systems, it supports both auto flash and High-Speed Sync (HSS) functions. A 0-90° tilt adjustment gives you the flexibility to shoot with direct or bounce flash. 

*Recommended for use with Godox camera flashes under 300g for optimal balance and stability.

New Gear Alert: Mini Flash, Maxi Fun! iT20/22 from Godox

What’s in the box

Flash Body×1 USB-C Charging Cable×1 Storage bag×1 Magnetic Spreader×1
1/2 CTO
Magnetic Color Filter×1
1/1 CTO
Magnetic Color Filter×1


Optional

Softbox iT20-DF?Compatible with iT20?  iFlash On-Camera Flash Light Magnetic Attachment MA01
Model iT20 C/N/S/F/O iT22 C/N/S/F/O
Compatible Camera Models C: Canon cameras (E-TTL II auto flash) N: Nikon cameras (i-TTLauto flash)  S: Sony cameras (TTL auto flash) F: Fujifilm cameras (TTL auto flash) O: OM System/Panasonic cameras (TTL auto flash)
Built-in Lithium Battery 7.4V, 300mAh 7.4V, 300mAh
Input 5V?0.6A 5V?0.6A
Charging Time Approx. 1h10min Approx. 1h10min
Flash Times (1/1 Power) Approx. 700 Approx. 700
Recycling Time (1/1 Power) ?1.5s ?1.5s
Flash Power Levels 1/32?1/1, adjustable in ±1/3 increments 1/32?1/1, adjustable in ±1/3 increments
Operating Environment Temperature -10?~+50? -10?~+50?
Synchronization Trigger Hot Shoe Hot Shoe
Dimensions 41.5mm×41mm×32mm 40mm×64mm×28mm
Net Weight ?45g ?52g

The post New Gear Alert: Mini Flash, Maxi Fun! iT20/22 from Godox appeared first on Digital Photography School. It was authored by Sime.



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Jul 24, 2025

[Photography] Are Lens Filters Still Relevant in the Age of “Fix It in Post”?

The post Are Lens Filters Still Relevant in the Age of “Fix It in Post”? appeared first on Digital Photography School. It was authored by Sime.

In this, the age of “I’ll just put a filter on it in post” are lens filters still relevant?

Are Lens Filters Still Relevant in the Age of “Fix It in Post”?

In the era of Lightroom presets, AI-enhanced editing, and Photoshop wizardry, it’s easy to assume that physical lens filters are obsolete. “I’ll just fix it in post” has become the battle cry of a generation of photographers—both amateurs and professionals alike.

But are we missing something?

Why Filters Still Matter

Let’s be clear: post-processing tools are more powerful than ever. You can simulate everything from graduated neutral density (ND) effects to polarisation with just a few sliders and layers. But the truth is, filters—especially high-quality ones—still offer something digital can’t quite replicate: real-world optical control.

Here’s where physical filters, like those from OKKO, come into their own.

Are Lens Filters Still Relevant in the Age of “Fix It in Post”?

What Makes OKKO Filters Worth Talking About?

OKKO are a Kiwi brand making a name for themselves in the world of affordable, premium lens filters. They offer a range of filters—UV, CPL (circular polariser), ND, and variable ND—built with solid materials, minimal colour cast, and modern coating tech. Their sweet spot? A solid balance of performance and price, without veering into the eye-watering territory of $300+ filters.

Get OKKO Filters on sale on Amazon

Here’s why OKKO Filters are still very much relevant:

1. You Can’t Post-Process What Was Never Captured

No amount of Photoshop can bring back detail in blown-out skies or remove glare from a car window. A CPL filter, like the OKKO Pro Circular Polariser, physically cuts out reflected light, saturates skies, and lets you shoot through glass or water without distracting reflections.

2. ND Filters = Creative Freedom

Neutral Density filters reduce the amount of light hitting your sensor, letting you drag the shutter and create silky waterfalls, smooth clouds, or isolate subjects with motion blur—even in broad daylight. OKKO’s variable ND filters offer flexible light control in a single filter, ideal for both photographers and video shooters.

3. Lens Protection Without Image Degradation

Sure, you can slap a $5 UV filter on your $2,000 lens, but why compromise image quality? OKKO’s UV filters use optical glass with nano-coatings to protect your front element from scratches, dust, and the occasional toddler fingerprint—without softening your shots.

Are Lens Filters Still Relevant in the Age of “Fix It in Post”?

4. They’re Lightweight, Rugged, and Affordable

OKKO filters are made with aircraft-grade aluminium and Japanese optical glass. The build feels premium, but the price tag doesn’t make your wallet cry. You get that “buy well, buy once” peace of mind without the premium-brand markup.

Real Filters for Real Shooters

Are lens filters still relevant in 2025? Absolutely—especially when you’re after better in-camera results, protection, or creative effects that editing alone can’t match.And if you’re in the market, OKKO Filters are a solid place to start. Whether you’re capturing landscapes, filming content on the go, or just protecting your glass, these filters quietly deliver. No hype. Just good gear.

The post Are Lens Filters Still Relevant in the Age of “Fix It in Post”? appeared first on Digital Photography School. It was authored by Sime.



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Jul 23, 2025

[Photography] Digital Photography School on Twitter

The post Digital Photography School on Twitter appeared first on Digital Photography School. It was authored by Darren Rowse.

Twitter-1Today Digital Photography School has made the leap into a new online medium – Twitter.

UPDATE: 

So I was just browsing older articles here on dPS, and came across this gem, remember when Twitter was called Twitter… oh, err, I mean ‘X’ – whatever, you know what I mean! Well we are STILL on X (Twitter) and we’re also on Facebook, we have a private Facebook Group AND we even have an Instagram and Threads account. Do you follow us on any of them / all of them?

Which leads me to my next question, do you share your photography on social media? We would love you to share a link to where you share your work, online, in the comments below!

Digital Photography School on Twitter

For those of you who don’t know Twitter – it is a social site that enables people to share short messages with their followers. It’s known as ‘micro-blogging’ because you only get 140 characters to write your message. There are millions of people ‘Twittering’ – it’s fun and quite addictive.

So today we started the Digital Photography School Twitter account.

It’s a place where we’ll post messages when we update our blog, announce new assignments in our forums, ask photography questions, take your questions and suggestions.

To follow the account just signup as a Twitter user and then ‘follow’ us.

The post Digital Photography School on Twitter appeared first on Digital Photography School. It was authored by Darren Rowse.



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Jul 21, 2025

[Photography] 5 Ways to Create More Artistic Photos (Fast!)

The post 5 Ways to Create More Artistic Photos (Fast!) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

create-more-artistic-photos-fast

Looking back at this article from Jaymes, maybe all in one long post it can be a little overwhelming, what about if you were to write down the five points and then tackle them one at a time?

  • Use minimalism to improve your compositions

  • Add split toning to enhance the colors

  • Decrease the depth of field for a softer look

  • Look at the work of good photographers for inspiration

  • Lengthen your shutter speeds for more abstract photos

Each of the points above are explained in detail below – one at a time, create a photograph employing the points above. Share a result or all five results in our private Facebook group!

Updated 2025 by Simon ?

Are you looking to create more artistic photos? Do you feel like your photos need a bit of an upgrade?

You’re not alone.

This type of struggle is one that most photographers feel at one point or another. I’ve felt it myself, which is why I developed several methods for increasing the artistry in my own photography.

And I’m going to share these methods with you today.

So if you’re looking to add a level of creative and artistic flair to your photos, keep reading.

Image: 300mm, 1/1250 sec, f/6.3, ISO 200

300mm, 1/1250 sec, f/6.3, ISO 200

1. Use minimalism to improve your compositions

Creating more artistic photos can start by changing up your compositions.

Because here’s the thing:

After doing photography for a bit, you start to fall into compositional patterns. You’ll take the same type of photo, over and over again. You may not even realize it.

So in order to take things to the next level…

…you should make a strong effort to break free of your compositional patterns.

One of my favorite ways to do that is with minimalism. Minimalism involves using lots of negative space, while also positioning your subject toward the edges of the frame.

create-more-artistic-photos-fast

400mm, 1/320 sec, f/5.6, ISO 400

For instance, a minimalistic photographer might take a single plant and place it down at the very top or bottom of the frame, while the rest of the scene stays primarily white:

Image: 100mm, 1/125 sec, f/2.8, ISO 320

100mm, 1/125 sec, f/2.8, ISO 320

Minimalism is great, and one of the things I love most about it is how it feels so different from normal compositional techniques. Once you start thinking minimalist, your whole outlook can change.

And your photos will start to look far more artistic.

2. Add split toning to enhance the colors

If you’re looking to increase the artistry in your photos, ask yourself:

How am I doing with color?

Because color is one of the most neglected aspects of photography, despite its important role in most photos.

Color adds contrast, creates harmony and disharmony, and evokes different moods.

(All in a wonderfully subtle way!)

Now, one aspect of improving the use of color in your photography involves looking for interesting color combinations when out shooting.

But you can also make changes after you’ve finished your photoshoots.

More specifically, split toning will allow you to add a bit of mood and contrast to your photos.

Here’s a photo with a bit of split toning to deepen the yellow highlights and the green shadows:

Image: 90mm, 1/160 sec, f/9.0, ISO 320

90mm, 1/160 sec, f/9.0, ISO 320

Basically, a split tone just involves putting one color cast in the highlights of your photo and one color cast in the shadows of your photo. Cold shadows and warm highlights are pretty common, so you could easily go with a blue/yellow split-tone combination. But you should also experiment with other possibilities to make things as artistic (and interesting!) as possible.

Note that pretty much every RAW photo editor offers split toning in one form or another. So no matter your preferred post-processing software, you’ll be able to add some color!

3. Decrease the depth of field for a softer look

This is one of my personal favorites for making photos more artistic:

Bringing down that depth of field.

With a shallow depth of field, you can create all sorts of interesting effects: Stunning background bokeh, soft subjects, and even abstract-type images.

Image: 50mm, 1/2000 sec, Freelensed, ISO 250

50mm, 1/2000 sec, Freelensed, ISO 250

Now, to create a shallow depth of field look, you’ll need to use a lens with a wide maximum aperture (something in the area of f/1.2 to f/2.8 is best). You’ll also want a lens of at least 50mm, and you’ll want to get close to your subject, if possible. The closer you are to your subject, the better the soft-focus effect.

Note that it can be difficult to focus when working at such a wide aperture. So you may need to switch your lens over to manual, in order to ensure you nail focus every time.

To add additional interest, you might try positioning a light source in the background, so that you can create cool bokeh, like this:

create-more-artistic-photos-fast

90mm, 1/100 sec, f/2.8, ISO 320

I’d also recommend thinking about your subject a bit differently. Don’t envision the subject as a single entity; instead, look for shapes and lines that you can use for a more powerful composition. That way, you’ll be able to use the soft-focus effect for more artistic, abstract-style images.

4. Look at the work of good photographers for inspiration

If you’re the type of person who likes to get out and practice photography, you may grumble at this suggestion. After all, practice makes perfect, right?

But it’s important to realize that it’s hard to know what perfect would mean…

…if you haven’t ever seen it.

That’s why I urge you to look at the work of photographers you admire. Do it all the time. If you like, you can simply look at photographers in your favorite genres.

Image: One of the photographers whose work I view over and over again is Jess Findlay. While he and...

One of the photographers whose work I view over and over again is Jess Findlay. While he and I gravitate toward different subjects, his work serves as a constant inspiration to me.

Or you can expand your horizons, looking for photographers in many different areas.

(In fact, I like to look at work that’s not in my areas of interest; I find that it gives me fresh ideas that would’ve never occurred to me if I’d stuck to my preferred genres.)

When you look at photography that you like, ask yourself:

What is it that makes this work special? What is it that makes it so artistic?

Then come up with some ideas for incorporating that level of artistry into your own work. Don’t copy blindly, but try to pull out bits and pieces of wisdom that you can use to enhance your own photos.

For instance, if you notice that a photographer likes to shoot from a low angle, start shooting from a low angle yourself.

If you notice that a photographer loves to juxtapose two contrasting subjects, try juxtaposing some contrasting subjects yourself.

Just give it a try. My guess is that you’ll notice improvements in your own photos pretty quickly.

And then you won’t want to stop looking at other photos!

5. Lengthen your shutter speeds for more abstract photos

Here’s a final, practical tip for creating more artistic photos:

Use creatively long shutter speeds.

For instance, photograph moving a flower, but drop the shutter speed way down, so you get a cool blur effect.

And then move your camera around, even as you’re taking the photo. That’ll give you an even more interesting abstract:

create-more-artistic-photos-fast

100mm, 1/6 sec, f/2.8, ISO 250

Personally, I love doing handheld abstracts with long shutter speeds. Sure, they take a lot of experimentation, but they’re also very liberating. And they’re great for situations where the light is too low to get sharp shots handheld and you don’t want to use a tripod.

Now, to pull off this type of abstract image, you’ll need to put your camera in Manual mode (or Shutter Priority) and drop the shutter speed until it reaches 1/10s to 1s (or longer). Then, as you hit the shutter button, move your camera. I’d recommend aligning the movement with compositional elements in your scene (e.g., if there are trees in the scene, move the camera along the tree trunks).

You’ll end up with some very artistic blurs!

Five ways to make your photography more artistic: Conclusion

Hopefully, you now know a few easy ways to make your photos more artistic.

After all, capturing artistic photos doesn’t have to be hard…

…it just involves changing things up!

So try some of the ideas I’ve suggested, and see how things go. I bet you’ll like the result!

create-more-artistic-photos-fast

300mm, 1/400 sec, f/6.3, ISO 320

Do you have ideas for creating more artistic photos? Share them in the comments!

The post 5 Ways to Create More Artistic Photos (Fast!) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.



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