[Photography] How to Choose Urban Landscapes for Portrait Photography

The post How to Choose Urban Landscapes for Portrait Photography appeared first on Digital Photography School. It was authored by Matt Murray.

Are you bored of doing portrait shoots in the studio or the local park? Try mixing things up with an urban portrait shoot. The city streets, the buildings, the laneways – this is your cinematic backdrop. All you need is a little bit of planning and a lot of imagination. If you’ve never done a shoot like this before, you might be wondering how to choose locations. In this article, I will run you through my process of choosing urban landscapes for portrait photography. 

Bailey in a window, Brisbane. I took this shot with some off-camera flash outside my local library. Fujifilm X-T3 with a 23mm f1.4 lens.

An urban portrait shoot in my city? No way!

You may think that your city or your town has nothing of interest, but it does. You just have to look with a fresh perspective. Sometimes I’ll be on a photo walk with another photographer, and they don’t seem to see the potential that their town has to offer. “Wow, look at that doorway!” I’ll say. With a puzzled face, they reply, “It’s just a doorway!” 

No, it’s not just a doorway – it’s a potential scene in your next urban portrait shoot. 

Sasha, Brisbane. I used these old street lamps as an element in the shoot. Fujifilm X-T3 with a 56mm f1.2 lens.

Every town or city I’ve ever been to has its charms and a unique look: from modern glass and steel skyscrapers to historic buildings to run-down industrial areas. There are so many aspects of urban locations that you could include in your shoots: laneways, street art, doorways, neon signs, steel shutters, and traffic trails, just to name a few. 

There’s also the unique way that light falls in urban environments: harsh beams of light that fall between buildings, beautiful soft light that you find in doorways and under bridges, and in Brisbane, dazzling light reflecting off skyscrapers. The possibilities are endless.

The best time for an urban portrait shoot

The best time for an urban portrait shoot is whenever you and your client or model are both available. Regardless of the light, the weather, or the locations. The success of the photoshoot is ultimately in your hands. 

My favorite time for doing urban portrait shoots is just before dusk. This allows you to get a good mix of golden hour photos with sunlight, blue hour photos as the city lights come into play and nighttime shots with artificial light. 

Alyssa in an industrial alleyway, Brisbane. Fujifilm X-T3 with a 60mm f2.4 lens.

Location scouting

I usually run portrait shoots for around 90-minutes, allowing me to shoot in 6-8 locations. 

It’s best to do your location scouting at the same time of day that your shoot will take place. This is so you can look at the light, see how it falls, and plan accordingly. In practice, though, I usually end up doing my scouting during the day. 

Before I arrange the shoot, I take some time to wander about the city to find 8-10 locations close together. The reason I look for more places than I’ll need is to be flexible on the shoot. Cars or trucks can block alleyways, big crowds could move through the area at the time of the shoot, or the lighting could be all wrong. There’s a whole lot of things that could make the location unsuitable when you arrive at the scene.

Although it’s tempting to plan to shoot in two locations at opposite ends of town, unless you have easy access to transport on the day of the shoot, it will be impractical. Photoshoots can be tiring for everyone, so asking your client or model to walk several city blocks and back again to shoot in one location may not be the best idea. 

What to take during location scouting

When you’re scouting for locations, have a notepad and pen ready along with your smartphone. When you see somewhere that you like, take a photo on your phone for reference and jot down some notes. I always draw a map of the city streets in my notebook. Then I plot the locations on it and plan a direction for the shoot.

What I’m looking for during my walk is a cool urban location in which to place the client or model. Some locations will leap out at you, and you will know that you should take some photos there. Others may not reveal their charm until later when the lights are low. 

Natasha, Brisbane. I like the very subtle reflection in the polished stone wall behind her. Fujifilm X-T3 with 56mm f1.2 lens

As you’re wandering around, there’s a couple of things you need to keep in mind:

Imagination

What is this place going to look like at dusk or nighttime? Remember that for many shots, you will be shooting with a wide-open aperture, or close to wide open, so many of the details in the background will be blurred. 

Potential risks

It may look cool, but is this place dangerous in any way? Think of how you will place the model or client in this scene – are there any risks that you need to be mindful of? Is there a lot of traffic? Is it a dangerous neighborhood? You should consider all of this when you’re planning, as safety should be your top priority for these shoots.

Below are some of my go-to shots when I plan an urban photoshoot. I took all of these within a few blocks of each other in central Brisbane, Australia. 

Neon lights

Neon shots are a favorite with the Instagram crowd, and it’s easy to see why. They are so much fun and a great image idea to have up your sleeve.

Neon signs are something that, quite honestly, I never usually notice. However, as soon as you start looking for them, you’ll be amazed at how many your town has.

Alyssa, Brisbane. This neon light is outside a takeaway shop in central Brisbane. I was attracted to the three different colors the sign had.

Beer kegs outside a pub

As soon as I saw these beer kegs in a laneway outside a pub, I knew I wanted to incorporate them in a shoot. I’ve used them as both a background element and also as a prop for models to sit on.

In this shot of Anne, I struck gold. By chance, it was one of the busiest days for pubs in the year – Melbourne Cup Day. There were a few dozen kegs in a laneway all stacked on one another. I lit this shot with an LED video light.

Anne in front of beer kegs, Brisbane. I love the shape, color, and reflection of the kegs in the background. Fujifilm X-T3 with an 8-16mm f2.8 lens lit with an LED video light.

Laneways

Many Australian cities are blessed with alleyways. In many ways, they are the perfect place for photoshoots. Expect atmospheric lighting, an industrial look, street art – and best of all – little traffic. While Melbourne may be the laneways capital of Australia, Brisbane has many too.

Natasha in a laneway, Brisbane. I like the color and bokeh that some tiny blue fairy lights provided in this shot. Fujifilm X-T3 with a 56mm f1.2 lens.

Telephone booth

This is a really fun place to use for some shots – if you can still find one these days. You may also have to take some time to explain to younger clients or models on how to use a public payphone!

Alyssa in a phone booth in Brisbane. Fujifilm X-T3 with a 35mm f1.4 lens.

Reflections

Reflections are a go-to image idea for urban portrait shoots. Many buildings provide you with glass or reflective surfaces.

Anne looking into a mirrored surface, Brisbane. Fujifilm X-T2 with a 56mm f1.2 lens.

Old signage

I love history and nostalgia, but sadly there isn’t much left in my city. One day I noticed this sign and thought I’d love to do some shots here.

Sasha in front of a sign, Brisbane. Fujifilm X-T3 with a 16mm f1.4 lens.

Take your next portrait shoot to the streets

Urban portrait shoots can be a lot of fun. If you’ve never done one before, I hope that this guide has inspired you to look around your city for urban landscapes for portrait photography.

For your first time, you can always ask a friend to be your model if you want to try things out and see how the images look. Practice makes perfect.

Remember, safety is a very important factor in a shoot like this – both for your client or model and for yourself.

Urban shoots have helped me grow as a photographer. I feel more creative, I see possibilities for images in the mundane, and they’ve also helped me to think on my feet and improvise. ­­­­

So what are you waiting for? An endless array of scenes is right on your doorstep. Take your next portrait shoot to the streets.

Do you have any other tips for scouting urban landscapes for portrait photography? Share with us in the comments!

The post How to Choose Urban Landscapes for Portrait Photography appeared first on Digital Photography School. It was authored by Matt Murray.

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