Apr 30, 2023

[Photography] 11 Tips for Beautiful Black-and-White Family Photos

The post 11 Tips for Beautiful Black-and-White Family Photos appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

Tips for beautiful B&W family photos

Black-and-white family photos are an amazing way to showcase the beauty, personality, and emotions of your clients. This monochromatic approach isn’t just a trendy throwback to days gone by; it’s also an elegant way to focus your portrait photography on the bare essentials of light and shadow while showcasing your clients in stunning new ways.

While black-and-white portraiture might seem simple on the surface, it requires a lot more subtlety and nuance than most people realize. These 11 tips will help you get the most out of your images – and it’ll elevate your knowledge of this type of photography in the process.

1. Shoot in RAW

Black and white family photos. Two parents and their young children sitting cross-legged on a walking bridge.
Nikon D200 | 50mm f/1.8G | f/2.8 | 1/80s | ISO 200

If you are new to black-and-white photography, one of the best ways to get started is to shoot in RAW. This format offers the ultimate editing flexibility, which makes it a great option for people who just want to experiment with monochrome.

When you photograph in RAW, your camera saves all the data from the moment of capture. This is in contrast to formats such as JPEG and HEIF, which discard data to keep the storage space low. All of that image information means you can easily test out different black-and-white edits when working in Lightroom, Luminar, Affinity Photo, and other non-destructive editors.

Black and white family photos. Grandparents, their children, and two grandchildren sitting on a sofa in a formal setting.
Nikon D7100 | 35mm f/1.8G | f/4 | 1/45s | ISO 400.
Shooting in RAW gave me a great deal of flexibility when customizing the black-and-white look. It also allowed me to recover highlight detail from the bright window in the background.

RAW files take up much more space than JPEG images, but the trade-off is well worth it, especially if you plan to convert to black and white. When you convert RAW files to black and white, you get to decide which colors are brighter or darker, and you can heavily manipulate the overall exposure. You can recover bright portions of images that are a bit overexposed, and you can lift the shadows to bring out parts of your images you might have thought were lost.

The RAW format also lets you make subtle adjustments to skin tones, clothing textures, and other areas that are crucial when dealing with monochromatic light and shadow.

2. Embrace high-contrast backgrounds

When taking pictures in full color, you have a great deal of flexibility when it comes to all the elements of your compositions. Things are a bit different when handling black-and-white family photos, however.

Since you are dealing strictly with light and shadow, one of the best ways to make your subjects stand out is to work with backgrounds that offer a great deal of contrast. Uniform tones work great and help to eliminate distractions, but any background that stands apart from the people in the frame will help.

Black and white family photos. Infant sleeping on a thick puffy blanket.
Nikon D750 | 50mm f/1.8G | f/2.4 | 1/200s | ISO 1100

The infant photograph displayed above works well because the viewer’s attention is immediately drawn to the baby and not the background. You can create similar compositions with a variety of backdrops, and even if you’re not shooting in a studio, you can still work with high-contrast backgrounds. Find a wall or even some foliage that stands out from your subjects, and your black-and-white photos will turn out much better.

3. Photograph in black and white

While shooting in RAW and converting to black and white afterward can work well, another way to get great results is to use one of the black-and-white modes built into most cameras. If you shoot with a mirrorless camera or work with a DSLR in Live View, you can use these built-in monochrome effects to preview your final image and adjust your compositions accordingly.

In my experience, when you can see your shots in shades of gray as you compose, you’ll pay careful attention to lights, shadows, and various elements in the frame that you won’t always notice when shooting in color.

(Shooting in RAW is especially important here; if you switch your camera to monochrome and capture RAW files, you can always convert back to color when editing. However, if you shoot monochrome JPEGs, your camera will discard the color information at the moment of capture.)

Black and white family photos. Husband and wife walking across pavement in front of an old house.
Fujifilm X100F | f/5.6 | 1/125s | ISO 400

Some cameras even include film simulations that mimic the look, tonal quality, and grain structure of traditional black-and-white film. For example, the Fujifilm X100F that I used for the image featured above has a mode that simulates ACROS film. It does an outstanding job of replicating the complex and nuanced look and feel of this analog process, and it’s not an effect you can achieve afterward with a simple filter or preset.

And even if you are capable of recreating film simulations using editing software, shooting using these effects and simulations can help you create stunning compositions you might never capture when working in color.

4. Be mindful of light and shadow

Photography is all about capturing light, but when shooting black-and-white family photos, this basic principle is even more important than ever.

Before pressing the shutter button, consider where the light falls on your subjects, how the background colors interact with one another, and the overall sense of emotion and context that you are attempting to convey. Use shadowy areas of the frame to create a specific mood, and think about how the shadows look on faces, hands, and clothes.

Black and white family photos. High school senior standing in the sun with shadows in the background.
Nikon D750 | 70-200mm f/2.8G ED VR II | 200mm | f/2.8 | 1/2000s | ISO 100

I composed the frame featured above with the young woman fully illuminated by the late afternoon sun. I knew that the final shot – when converted to black and white – would immediately draw the viewer’s attention to her face. The background was a mix of light gray, dark gray, and red bricks, but thanks to a monochrome treatment, all the viewer sees are shadows, which works very well to accomplish the goal I had in mind.

Use similar techniques with your black-and-white photos to get results that will surprise and delight your clients and go beyond what they might be expecting!

5. Utilize editing presets

I used to think that presets, such as those found in Lightroom, Luminar, and other editing software, were a bit of a cop out. Real photographers wouldn’t use presets, I used to tell myself. They would edit every single image by hand.

Wrong! Real photographers know that their time is valuable, so they take advantage of the tools they have at their disposal. Editing presets are an essential component of many photographers’ workflows and can work wonders for black-and-white family photos.

Black and white family photos. Four children sitting on a bench in the forest.
Nikon D750 | 70-200mm f/2.8G ED VR II | 200mm | f/4 | 1/200s | ISO 250

Lightroom comes with several presets that can transform your images into beautiful black-and-white shots with a single click. But they aren’t simple hacks; instead, they use adjustments created by teams of professionals who understand color science on a deep level. And if you don’t like the results, you can tweak them by adjusting sliders and even save new presets to use on future images (or to share with your friends).

Whether you’re just starting out with black-and-white family photos or have been taking portraits for years, these presets can save you a huge amount of time while offering outstanding results.

6. Experiment with Lightroom B&W filters

In the days of film cameras, black-and-white pictures could be manipulated by using color filters to adjust exposure levels. Different filters could be attached to camera lenses, and they would alter the incoming light so photographers could achieve various looks with a great deal of precision. Modern software such as Lightroom allows for this same level of flexibility but on a level far deeper than our analog forebears ever dreamt was possible.

Black and white family photos. A young man and his fiancée looking at the camera and smiling.
Nikon D750 | 70-200mm f/2.8G ED VR II | 170mm | f/4 | 1/180s | ISO 280
This RAW file contained plenty of data to allow for easy black-and-white conversion and editing.

When you convert a color photo to black and white in Lightroom, you can actually use sliders to adjust the exposure levels of individual color ranges. If your subject is wearing a red shirt, you can lighten or darken that color by dragging the red slider. The same holds true for orange, yellow, green, and more.

Black and white family photos. A young man and his fiancée looking at the camera and smiling.
I converted the picture to black and white, then I used sliders to adjust the result.

You can combine slider adjustments, as I did for the image above, to get a specific look in your black-and-white family photos. Alternatively, you can press the Auto button at the bottom of the sliders, which will have Lightroom take its best guess.

These sliders are not only helpful, but they’re also fun to experiment with and can easily take your B&W images to the next level with minimal effort on your part.

Black and white family photos. A young man and his fiancée looking at the camera and smiling.
Raising the Red value made the woman’s shirt significantly lighter, while lowering the Blue value inverted the color pattern on the man’s shirt.

7. Use solid-color clothes

This isn’t a universal rule; instead, it’s more of a general guideline that I like to encourage folks to use, especially if you’re new to black-and-white family photos. Solid colors help draw viewers’ eyes to your subjects’ faces instead of getting lost in the myriad patterns and prints that are commonly found on clothing.

When shooting in color, you can end up with distracting arrangements thanks to the different hues and colors on clothes, but all of that disappears when you shoot in monochrome.

Black and white family photos. A gray-haired husband and wife standing next to each other in the forest.
Nikon D750 | 70-200mm f/2.8G ED VR II | 200m | f/4 | 1/250s | ISO 560

Solid colors not only help people focus on faces, but they also give you lots of flexibility when editing. You can use the black-and-white slider options to selectively adjust the brightness levels of individual pieces of solid-color clothing, which can give you a huge amount of freedom to achieve the look that you want.

Black and white family photos. Grandparents, children, and grandchildren sitting on a bench in the forest.
Nikon D750 | 70-200mm f/2.8G ED VR II | 200mm | f/4 | 1/250s | ISO 800
Solid-color outfits help draw attention to faces in black-and-white family photos.

8. Capture candid moments

When you do family photo sessions, always look for opportunities to take candid portraits in between formal settings and poses.

When you capture these authentic moments, monochrome showcases the results in a way that feels both wonderful and unique. Even if you take color pictures and convert them to black and white later, you will be surprised by how the removal of color can really bring out the best in your clients.

Black and white family photos. A mother adjusting the tassel on her son's graduation cap.
Nikon D750 | 70-200mm f/2.8G ED VR II | 200mm | f/3.3 | 1/250s | ISO 200

When I’m culling my pictures, I often flag the best and toss the worst, but I am consistently surprised by how a simple black-and-white conversion can transform a file from Rejected to Flagged. In my view, black-and-white family photos invite viewers to overlook flaws, appreciate the imperfect, and see your subjects for who they really are.

It sounds a bit silly and melodramatic, but it works far more often than you might realize. If you can capture candid, unscripted, natural moments of people just being themselves, a black-and-white conversion can elevate them to a whole new level (and your clients will love the results!).

9. Look for genuine emotions

There’s a purity to B&W photos that’s perfect for displaying the genuine moments of humanity. By stripping the images down to light and dark, you invite your viewers to focus solely on faces, poses, body language, and other elements that make people unique and special.

Black and white family photos. A woman holding her fiancée while displaying her engagement ring.
Nikon D750 | 50mm f/1.8G | f/1.8 | 1/350s | ISO 200

When doing family photography, seek out opportunities to take black-and-white pictures that capture your clients’ real, raw emotions. Look for tender moments between poses, laughs shared among children, and even just couples holding hands. When you create these photos and present them to your clients in black and white, they’ll be transformed into something truly special.

10. Use a wide aperture

While wide apertures are always great for capturing beautiful shots with beautifully blurred backgrounds, it’s a technique that can be especially useful when shooting in black and white. Since these monochromatic files contain no colors to direct the viewer to specific parts of the scene, shooting at f/1.8 to f/2.8 is a great way to put focus on your main subjects.

Black and white family photos. Two young boys standing next to each other and looking at the camera while smiling.
Nikon D7100 | 50mm f/1.8G | f/1.8 | 1/350s | ISO 400

Shooting wide open also has the benefit of letting you use faster shutter speeds, which can be great for photos featuring lots of movement. If kids are running around, wind whipping through hair and clothes – or if you’re trying to freeze the motion of your walking, jumping, laughing, or hugging clients, using a wide aperture can help ensure your shots look tack-sharp!

11. Use a monochrome camera

While it’s easy to convert color pictures to monochrome, there are actually some cameras that only shoot in black and white. This might seem like a frustrating limitation, but when you actually use one of these cameras, it can actually be quite liberating.

Since you won’t have the option to shoot in color, you’ll be forced to take a more careful, considered approach to your portraits. This can help you develop a more artistic eye, and you may find that you capture family photos that are impressively thoughtful and nuanced.

Black and white family photos. Leica Q2 Monochrom camera.
The Leica Q2 Monochrom only shoots in black and white. Its exquisite lens and image sensor produce amazing results that other cameras can’t match.

There aren’t a huge number of black-and-white cameras available, but the ones that do exist offer excellent image quality. The Leica Q2 Monochrom is a great option to consider, as is the Pentax K-3 Mark III Monochrome, which costs much less and features an APS-C sensor compared to the Q2 Monochrom’s full-frame sensor.

For photographers who seek a unique shooting experience and want to offer their clients something unique, cameras like these are certainly worth considering.

Black-and-white family photos: final words

It might seem a bit anachronistic to think about black-and-white family photos when modern cameras can capture more color than ever before. However, monochrome images are perhaps more important than ever!

In a world that is oversaturated with colors, black and white offers a way to step back to a simpler time and create stunning shots that stand out from the crowd. So the next time you’re doing a family photo session, consider shooting in black and white – or, at the very least, converting a few images when you edit.

Now over to you:

What are some of your favorite tips and techniques for B&W family photos? Share your thoughts in the comments below!

The post 11 Tips for Beautiful Black-and-White Family Photos appeared first on Digital Photography School. It was authored by Simon Ringsmuth.



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Apr 29, 2023

[Photography] The Nikon Z8 Will Be Announced on May 10th

The post The Nikon Z8 Will Be Announced on May 10th appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

The Nikon Z8 will be announced on the 10th of May

It’s official (or about as official as it’ll ever be):

The Nikon Z8, the long-awaited full-frame mirrorless camera that we first discussed over three years ago, will debut on May 10th, 2023. While Nikon hasn’t technically confirmed the Z8’s announcement, the imaging company has scheduled a “5.10.23 Launch Event” YouTube live stream.

How do we know that the launch is for the Z8? As Nikon Rumors pointed out, if you look carefully at the question mark in the bottom right-hand corner of the launch event graphic, you can see the outline of an “8” – plus, the timeline corresponds closely with NR’s previous reporting, which predicted a launch date in April or May. 

While we don’t have any confirmed Z8 details, and while Nikon Rumors has emphasized that “some of [its rumored specifications] will not be correct,” here are just a few of the camera’s likely features:

  • A 45.7 MP full-frame sensor
  • 20 FPS RAW continuous shooting
  • A 3.69M-dot EVF
  • A design that mirrors the Z6 and Z7
  • In-body image stabilization
  • 8K/60p video
  • Dual CFexpress and SD card slots

In fact, some of NR’s sources have labeled the Z8 as a “mini” or “baby” Z9, which is Nikon’s current flagship mirrorless model; it offers breathtaking AF capabilities, a 45 MP sensor, an ultra-rugged body, and 8K/60p video, though it also costs a whopping $5,500. The Z9 sports a built-in vertical grip, though as I noted above, the Z8 will likely use a design similar to the (more compact) Z6 and Z7. 

The Z8, therefore, should be suited to generalist professionals and serious enthusiasts who are willing to pay for high-level gear but aren’t looking for a rugged, action- and wildlife-focused design. The new camera will boast in-body image stabilization, a high-resolution sensor, and dual card slots to satisfy professionals, yet the smaller form factor and the presumably reduced price will make it a better choice for travel photographers as well as slightly more casual shooters.

So if you’re interested in a full-frame mirrorless model that offers the power of the Z9 without the bulky body and the eye-watering price tag, keep an eye out for the Z8! 

Now over to you:

What do you think of the Nikon Z8? Will you purchase it? What do you hope it offers? Share your thoughts in the comments below!

The post The Nikon Z8 Will Be Announced on May 10th appeared first on Digital Photography School. It was authored by Jaymes Dempsey.



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[Photography] Architectural Photography for Beginners: 4 Essential Tips

The post Architectural Photography for Beginners: 4 Essential Tips appeared first on Digital Photography School. It was authored by Nisha Ramroop.

Architectural photography for beginners: essential tips

Architecture is fascinating, it’s beautiful, and it’s an amazing photographic subject. If you’re interested in architectural photography, then congratulations – you’re in for a treat! You can create breathtaking shots featuring a variety of structures, including modern skyscrapers, old cathedrals, suburban houses, and so much more.

Of course, architectural photography involves a bit more than finding a compelling subject and snapping away with your camera. If you want great shots – the kind that’ll make people sit up and take notice – you have to pay careful attention to a variety of factors, including the lighting, the composition, and your gear.

That’s what I discuss in this article: The four basic elements that any beginner architectural photographer should consider, and how, as a budding shooter, you can hit the ground running.

So if you’re thinking of exploring the wonderful world of architecture, then let’s dive right in, starting with my first tip:

1. Grab the right gear

Architctural photography for beginners

As with any genre of photography, it’s possible to get nice architectural images using only a point-and-shoot camera or even a smartphone – but the right gear does make a difference, so I encourage you to invest in some good-quality equipment before really diving into architectural shooting.

First, pick a DSLR or mirrorless camera that offers a decent number of megapixels in case you want to print big (24 MP is a good starting point). The best cameras for photographing architecture also include an impressive dynamic range – so you can capture bright windows and dark interior shadows in a single frame – and a full-frame sensor so you can take advantage of the expansive field of view offered by wide-angle lenses.

Architctural photography for beginners

In-body image stabilization and impressive high-ISO capabilities can also be useful if you plan to shoot interiors that don’t allow tripods.

You’ll also need to purchase a lens or two. A wide-angle zoom is often a great buy; here, the kit lens that camera with your camera can work, or you can invest in higher-quality glass, such as a 24-70mm f/4 lens. Regardless, make sure your lens gives you an effective focal length of 30mm or wider; that way, you can create dramatic compositions that include lots of architectural details in the frame, even if you’re photographing indoors.

Architctural photography for beginners

Once you own a nice wide-angle lens, you can start thinking about purchasing a telephoto model that’ll help you capture those architectural detail shots. Here, a kit zoom lens (such as a 55-200mm unit) can do a solid job, though a 70-200mm f/4 lens will generally offer superior sharpness and flexibility.

Architctural photography for beginners

Also, a telephoto lens will allow you to shoot subjects from farther away and can therefore help you minimize perspective distortion (i.e., converging verticals).

Architctural photography for beginners

One final piece of beginner architectural photography equipment advice: Purchase a tripod, and make sure it’s a good one. Sure, you won’t always be able to work with a tripod indoors, but when you’re shooting in scenarios where a tripod is permitted, it’ll let you increase the image depth of field and capture well-exposed shots even in dark scenarios. You can also use a tripod to experiment with long-exposure photos, which is a lot of fun!

2. Carefully create your compositions

Composition refers to the arrangement of elements in the image frame. For instance, should you position a building smack-dab in the middle of the frame? Or should you put it off to the side? Those are key composition questions – and by carefully constructing your composition, you can dramatically elevate your shots.

Start by learning popular composition rules, such as the rule of thirds and the rule of odds. I’d also recommend exploring topics such as negative space, positive space, and minimalism.

Architctural photography for beginners

Then, once you understand the basics, experiment! Practice using the rule of thirds, then breaking it – and make sure you review your images afterward and decide what you like and dislike.

When shooting architecture, pay attention to the angle of your camera in relation to the subject. If you get too close to a building and shoot up, the building may turn out looking unpleasantly distorted (though you can also use this distortion effect for added drama; it’s all about how you use it!).

Bottom line: Always pay attention to your angle and how it conveys your subject. Working from below a building will add drama, but getting higher up can allow you to show how a building is situated within a broader landscape.

Architctural photography for beginners

Once again, the best advice I can give here is to experiment. When you find a new structure worth shooting, move around and try different angles. Shoot straight up, get closer or farther away, get low to the ground, and if you can, try to photograph from above. Maybe you’ll hit upon a brand-new, never-before-seen perspective!

3. Pay attention to the light

Architctural photography for beginners

Lighting can make a huge difference in your architectural photos. Unfortunately, you have no control over the position and orientation of your subject, so you generally just have to make the most of the available light.

That said, you can gain some level of control by studying the buildings you’re hoping to shoot, then timing your outing to coincide with the light that you’re after. You’ll want to think about two key elements:

  • Light quality
  • Light direction

Light quality refers to whether the light is hard or soft, which changes depending on the time of day and the cloud cover. Overcast days as well as early morning and late evening tend to offer soft light, whereas sunny mornings and afternoons offer hard light – and while it’s possible to work with any type of light, softer illumination is generally better if your goal is to create beautiful, painterly architectural shots.

If the weather isn’t cooperating, you can also try shooting at night. Most structures look amazing in the dark thanks to built-in artificial lighting; just make sure you use a tripod and a lengthy shutter speed!

Architctural photography for beginners


Lighting direction refers to the direction of the light relative to your subject. By adjusting the direction of the light, you can ensure that your images look flat, three-dimensional, or somewhere in between. Of course, you can’t physically move a structure, but you can wait for the sun to move through the sky until you have the lighting angle you want (or you can simply walk around a structure to achieve the angle you’re after).

One of the most interesting (and recommended) lighting options for buildings is side-front lighting – when light falls on the side and front of the facade. This direction provides a decent amount of illumination and can cast interesting shadows across the face of a building, which gives it a more three-dimensional look.

Architctural photography for beginners


Be wary of strong backlighting when shooting buildings, since it can create uniform dark surfaces – unless you are going for a silhouetted look, that is!

So scout out your location at different times. See how the light and shadows change the look and feel of your image. Then capture the perfect shot! (Of course, if you don’t like your initial result, you can always try returning at a different time or on a day with different weather, so don’t feel like you need to nail the lighting from the beginning.)

4. Get to know each building

It may sound silly, but if you can spend time getting to know the structure you plan to photograph, you’ll end up with much better results.

By “get to know,” I mean that you should do a few things. First, if you have the time, spend time visiting the building and paying attention to the light. See how different times of day produce different looks. Examine the building from every angle, and consider how various compositions will give you different results.

Note that I’m not necessarily talking about scouting here. Feel free to bring along your camera and take some photos; the idea is to really learn the ins and outs of your structure so you can maximize your results.

Architctural photography for beginners

Second, research images captured by other photographers of your subject. Don’t copy these shots directly, but use them to inspire you. You might also use these images to determine what hasn’t yet been done – for instance, if a certain structure is always shot from the front, you might try shooting it from the back instead.

Finally, learn about the history of your subject. You may find that the history informs your photography! For instance, if it turns out that a certain structure has unusual windows, you might then spend extra time capturing them, and you’ll end up with a unique portfolio that documents the key features of the building.

Architctural photography for beginners

Architectural photography for beginners: final words

As I hope you now realize, architectural photography can fascinating – and while creating great shots isn’t incredibly easy, it’s not too difficult, either.

Just make sure you purchase the right gear, give yourself some time to get to know each subject, and pay careful attention to both the light and composition. You’ll end up with some outstanding results.

Now over to you:

What type of architecture do you plan to shoot? Do you have any tips that we missed? Share your thoughts in the comments below!

Table of contents

Architectural Photography

The post Architectural Photography for Beginners: 4 Essential Tips appeared first on Digital Photography School. It was authored by Nisha Ramroop.



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