The post Live View in Photography: A Comprehensive Guide appeared first on Digital Photography School. It was authored by Simon Ringsmuth.
Live View is a powerful photographic tool – and if you’re just delving into photography, or if you’ve never done dedicated Live View shooting before, you may not realize quite how effective it actually is.
In this article, I share everything you need to know to get started with Live View, including a basic description of its function, when it’s useful, and when it’s best avoided. I also offer a handful of tips so you can get the most out of your Live View shooting.
Sound good? Then let’s dive right in, starting with the basics:
What is Live View?
Live View is a camera feature that allows you to view the sensor’s feed on the rear LCD. In other words, it lets you see how your images will turn out before you actually take them. If you’ve ever composed a photo by looking at the screen on the back of your camera, you’ve used Live View.
Photographers tend to talk about Live View in the context of DSLRs. However, most cameras feature Live View in some form, including smartphones, point-and-shoot models, bridge cameras, and mirrorless cameras. (If you’re not sure how to activate Live View mode on your camera, do a bit of Googling or check the manual!)
While some cameras only allow for composition via the rear LCD screen, others are also equipped with electronic or optical viewfinders, which allow you to place the camera to your eye for an “up-close” view of the scene. Shooting through the viewfinder is the more conventional way of photographing, but Live View does have several key benefits, as I discuss in the next section:
When is Live View useful?
As I mentioned above, shooting via the viewfinder is the common way to take photos. After all, the viewfinder allows you to block out all distractions, and the close-up view allows for more careful composition. Plus, Live View comes with a slight lag, whereas (some) viewfinders are perfectly in sync with the outside world.
But Live View does offer several key advantages. For one, it boasts exposure simulation, so you can see precisely how the tones of your photos will look before you press the shutter button. It also comes with an array of shooting aids, including the rule of thirds grid (so you can improve your compositions), focus peaking (so you can see the areas of the scene that are in sharp focus), and a histogram (so you can evaluate the tonal range of your image more precisely).
Note that not all cameras offer the same shooting aids; it all depends on the model you buy. Also, bear in mind that optical viewfinders and electronic viewfinders are dramatically different – optical viewfinders give you a view through the lens, while electronic viewfinders project the sensor feed in viewfinder form. All of the advantages that I’ve described above also apply to electronic viewfinders, but they don’t apply to optical viewfinders. (Confusing, I know! Before continuing, it’s a good idea to determine whether your camera offers a viewfinder, and if it does, whether that viewfinder is optical or electronic.)
Unlike both electronic and optical viewfinders, however, Live View offers a different perspective. By looking at your compositions from a distance, you may find that you can evaluate them more effectively. And because most cameras these days offer articulating screens, Live View is often the easiest way to compose photos while shooting from high or low angles.
Finally, if you use a DSLR, Live View is a convenient way of forcing your camera’s mirror upward before you fire the shutter, which will help prevent camera shake during long-exposure shots.
You shouldn’t use Live View all the time. But you should consider using Live View in a handful of scenarios, including:
- When you’re trying to capture images from tricky angles (e.g., low-angle landscapes)
- When you’re working with tricky exposure conditions and you want to be sure you’ve captured plenty of detail (e.g., outdoor portrait photography)
- When you want to make sure you’ve nailed your composition
- When doing long-exposure photography with a tripod (e.g., blue-hour cityscape photography)
On the other hand, Live View generally doesn’t work well in scenarios when you’re:
- Tracking moving subjects
- Handholding in low light
- Hoping to really immerse yourself in a scene
Of course, at the end of the day, what matters is whether Live View works for you. Give it a try, then adjust your approach accordingly.
How to use Live View like a pro: 5 effective tips
In this section, I discuss a few helpful techniques that’ll improve your results when shooting with Live View. I also share some hidden Live View features!
1. Zoom in to set the focus
Modern cameras tend to offer incredible autofocus capabilities. In certain situations, however, they can fail – and that’s where Live View comes in handy.
You see, Live View allows you to magnify the sensor feed and check focus on distant elements. If key elements look sharp, that’s great – but if not, you can try changing your point of focus or using a focus-and-recompose approach. You might even switch your lens over to its manual focus mode and carefully set the focus that way (while making sure to zoom in on the rear LCD once again!).
If your subject isn’t moving, this technique is one of the best possible ways to make sure everything is tack-sharp. One caveat, however: In addition to magnifying the scene, this zoom-in approach will magnify camera shake (on the LCD, that is). Because it’s tough to set focus while your camera appears to be leaping in every direction, I recommend using a tripod (and if you don’t have one handy, set your camera on a rock, a post, or some other solid surface).
2. Use Live View to preview effects
One fun trick that many manufacturers have added to their cameras is the ability to apply various effects, including selective coloring, miniature, black-and-white, sepia, and even film simulations. Think of these as Instagram filters or Lightroom presets, except they’re added as you shoot rather than in post-processing.
If you use an optical viewfinder to take photos with an effect activated, you can always see how your images turned out by reviewing them on the rear LCD – but it can be a lot more fun to shoot with the effects in real time! That’s where Live View comes in; it’ll let you see an effect in action before you press the shutter button, and it’ll help you understand how each effect will modify your images in advance.
You can use this trick when testing out fun effects, but you can also use it when doing serious photography. For instance, by setting your camera to its black-and-white mode and activating Live View, you can literally see the world in monochrome, which is a great way to elevate your compositions.
Note: To ensure that an effect is baked into the final file, you’ll need to shoot in JPEG rather than RAW. Otherwise, the effect won’t appear when you pull up your image in post-processing. (This isn’t necessarily a bad thing, as you can often recreate and improve upon various effects while editing, but it’s worth bearing in mind!)
3. Use the histogram to ensure a good exposure
If you shoot via an optical viewfinder, you have no way of previewing the exposure before you fire your camera. You can only make changes after you’ve taken a shot.
Live View, on the other hand, lets you simulate the exposure for each image in advance, and this can be a great way to prevent over- and underexposure from the get-go. But I’d actually encourage you to take this a step further:
Instead of evaluating your exposure by simply glancing at the rear LCD, activate your Live View histogram. (Not all cameras offer this function, but if yours does, it’ll be listed in the manual!)
Then check the histogram before you take each shot (or, at least, when you’re initially setting your exposure). Make sure there are no peaks pressed up against either side of the graph. And if there are, adjust your camera settings accordingly. That way, you’re essentially guaranteed to come home with a decent exposure!
4. Try using touch-focusing
One great feature that some cameras offer in Live View is touch-focusing. In other words, you simply tap on the portion of the screen that features your subject, and your lens will focus precisely as directed. (If you’ve ever shot photos using your smartphone, you’ll know what this is like – and how convenient it makes photographing certain subjects!)
It generally won’t be effective if you’re shooting sports, action, or wedding photos (by the time you’ve tapped to focus and then pressed the shutter button, your subject will have moved!). But if you’re out shooting casually, it’s an approach you might really enjoy.
It even has some advantages over traditional viewfinder-based focusing if you’re shooting at extreme angles. Instead of painfully positioning yourself so you can see through the viewfinder, you can simply tap to lock focus and fire off an image.
5. Familiarize yourself with all your Live Mode extras
While every model is different, your camera undoubtedly features a few effective Live View tools, and it pays to familiarize yourself with each and every one of them.
I’ve already talked about histograms and focus peaking, but your camera may also offer additional focusing aids, an electronic level, shooting mode options, and so much more. You may ultimately find that none of these options are useful to you, but you won’t know unless you do a bit of research – and for the right photographer, one (or more) Live View features can make a huge difference.
So spend a bit of time poking around in your camera manual and see what you can find. Then try out some of the most promising options. Who knows? Maybe it’ll revolutionize your photography!
Live View in photography: final words
Now that you’ve finished this article, you know all about Live View – and you’re ready to apply it to your own photographic workflow.
The next time you’re out with your camera, try playing around with Live View. It may seem unfamiliar at first, but with a few hours (or minutes) of practice, you may wonder how you ever went without it!
Even if you’re a more traditional shooter, I hope you at least give Live View a chance. It’s not going to be the best option in every situation, but you may find it to be more compelling and useful than you realize.
Now over to you:
Do you plan to use Live View? Why or why not? Share your thoughts in the comments below!
The post Live View in Photography: A Comprehensive Guide appeared first on Digital Photography School. It was authored by Simon Ringsmuth.
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