Nov 30, 2018

[Photography] Weekly Photography Challenge – Type

The post Weekly Photography Challenge – Type appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

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Bushells House on the corner of Charles Street and New England Highway, Moonbi by Caz Nowaczyk

Your weekly photography challenge – TYPE!

That’s right! Typography, text, numbers, and glyphs.

Any writing in any language. New, faded, barely legible – sign writing, posters, light painting etc.

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Brass and Iron Lace Foundry – Forge and Museum, Enmore Road, Uralla NSW Australia by Caz Nowaczyk

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An old truck stop on Putty Road, Garland Valley in Yengo National Park, NSW by Caz Nowaczyk

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Beechworth, Victoria Australia by Caz Nowaczyk

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Beechworth, Victoria, Australia by Caz Nowaczyk

 

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An old petrol pump gauge at an old truck stop on Putty Road, Garland Valley in Yengo National Park, NSW by Caz Nowaczyk

Check out some of the articles below that may give you inspiration for shooting and editing Type pictures.

How to do a Photography Alphabet Project

How to Find Inspiration for Your Photography When Your Muse is Missing

The Ultimate Guide to Street Photography

How to do Light Painting and Illuminate Your Photography

Beginner’s Guide to Light Painting

 

Weekly Photography Challenge – Type

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll be embedded for us all to see. Or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge!

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSTYPE to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Type appeared first on Digital Photography School. It was authored by Caz Nowaczyk.



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[Photography] Keeping Colors Consistent in Photography in 3 Easy Steps

The post Keeping Colors Consistent in Photography in 3 Easy Steps appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by Gavin Hoey from Adorama, he discusses ways of keeping colors consistent throughout your photography process.

Keeping Colors Consistent in 3 Easy Steps

Using these 3 quick steps in your photography workflow will make your process much easier and save you time.

1. Begin with the Right Computer Monitor

Begin with a great monitor, because a bad monitor makes editing your photos difficult. A monitor with at least 100% of the sRGB color space will work. Even better, is a monitor that displays 99% of AdobeRGB color space, such as the BEN Q SW2700.

You will need to color-calibrate the monitor. Get the best out of your monitor using a color calibration tool. Using something like an X-Rite i1 Display Pro Display and Monitor Calibrator. See more on using it here.

2. Getting Colors Right In-Camera

Set a custom white balance using a color checker passport. Open up to the grey side. Get the model to hold it in front of them. Fill the frame with the white card, use the custom white balance mode in camera (varies from camera to camera) and take a photo. Your white balance should now be correct.

Setting in-camera means you can show your subjects the photos in-camera.

Also saves you time in post-processing. The image may then look a bit wrong when looking through the view-finder. Just check the image when you take it – it should look correct.

Next, take a picture of the color checker passport fully-open to the color side, and under the same lighting conditions. We will use this to make the profile. This color setting will be used for the entire shoot.

3. Set-up Your Custom Profile in Photoshop

With the shoot done, it is time to make the Photoshop custom profile for post-process editing.

Bring the RAW file of the model holding the color checker passport into Photoshop. Open it as a DNG (Digital Negative) and save it somewhere that is easily accessible. Close the file.

Find your DNG file and drag and drop it onto the Colour Checker Passport application. The application will do all the work for you. All you need to do is click ‘create profile’ and save it with a unique name for that particular shoot/set-up. It is saved as a new color profile.

Next, open your RAW file into photoshop. Go to the ‘Profile’ Tab and select ‘Browse.’ Go to your saved profile and select it.

How do you use this profile for all the images across your shoot?

Go back to Camera RAW. Choose the icon in the top corner of the panel, and select ‘set as new camera RAW default.’ All of the photos you open will now apply the new color profile, keeping your entire shoot consistent.

 

You may also find the following articles helpful:

How to Choose the Right Monitor for Photo Editing

Setting Your White Balance with a Gray Card – a Tip from Phil Steele

Setting The Mood By Adjusting Your White Balance

How to Use the X-Rite ColorChecker Passport to Obtain Perfect Color

How to Make Custom Camera Raw Profiles for Lightroom & Photoshop

The post Keeping Colors Consistent in Photography in 3 Easy Steps appeared first on Digital Photography School. It was authored by Caz Nowaczyk.



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Nov 29, 2018

[Photography] 7 Ways To Take Your Photography To The Next Level

The post 7 Ways To Take Your Photography To The Next Level appeared first on Digital Photography School. It was authored by Kav Dadfar.

It easy to stagnate as a photographer. It’s a lonely hobby where you often work alone spending hours in pursuit of one photo which may not materialize. You can begin to lose interest and become lazy. This loss of interest can manifest itself in your photos which, in turn, demoralizes you further. As with many hobbies, the great thing about photography is you can reignite your passion. So here are 7 ways to take your photography to the next level.

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1. Photograph Something Different

One of the things many photographers are guilty of doing is photographing the same things over and over again. If you did the same thing again and again, eventually you’d get fed up with it. So, a great way to boost your passion for photography is to photograph something completely different. For example, if you are a travel photographer, spend some time photographing wildlife. If you take portraits, start photographing food.

Not only will this help reignite your passion, but it can also add more skills to your repertoire. You never know, you may find a new passion you never knew you had.

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2. Work On a Brief

Remember when you were at school and had to work on projects set by the teacher? It required you to learn about the subject, think about it and create a piece of work to present to your teacher. The concept of working on a brief is the same. You are given a topic or subject to photograph, and you take photos that answer the brief.

The project could be anything from a simple task of documenting a local event, to photographing a remote tribe in another country. Many people who take up photography as a hobby take photos of things that they come across rather than a specific brief. Working on a brief can help focus your photography and make you think about things differently.

Ask a friend or family member to set you a brief. It could be on anything. After you receive the brief, go about creating a set of images that respond to it.

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3. Set Yourself a Challenge

Another way to improve your photography is to set yourself challenges. These can help diversify your portfolio. For example, you may have lots of photos but are missing some nice close-ups. So, set yourself a challenge to capture one close-up image every day. Perhaps you have a weakness in a specific area of photography? Set yourself a challenge to improve that one element.

If you are a shy person and struggle to approach people to take their photo, set yourself a challenge to photograph ten people in one day. You’ll be surprised how much more confident you feel after doing so.

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4. Read, Watch, Follow

One of the best ways to improve your photography is to be inspired by photographers whose work you admire. Follow photographers on social media whose work inspires you. Look at the work of the masters like Ansel Adams, Steve McCurry, and Robert Capa. Read books such as the ‘Bang Bang Club‘ and watch documentaries and movies about photography. Even flicking through photography books or magazines can help inspire you. However, remember the objective should be to be inspired, not copy someone else’s work.

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5. Get a Photo Buddy

Photography is usually an isolated hobby and can be difficult to judge how well you are doing. Having someone who shares your passion can help motivate you while also giving you someone to bounce ideas off. You can learn from one another and push each other to capture better images. If you don’t know anyone who has a passion for photography, join your local camera club where you can meet likeminded individuals.

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6. Rent or Buy a Film Camera

There is no doubt that cameras are better and more powerful than they have ever been. You’ll find it hard finding many photographers who still shoot in film.

Still, one negative of digital photography is that it makes the decision of taking photos easy. Back in the days of film, every single photo you took cost money. Meaning, you had to be sure of what you were photographing to avoid wasting money. So you didn’t waste money, you had to think a lot harder about a scene. You had to think about your settings and if it was an interesting subject. You didn’t have the luxury of looking at the picture on the back of your camera.

Try it out. Rent film camera for a day, or buy a second-hand one, and see if it makes you think differently about photography.

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7. Go On a Photo Tour

Photo tours are quite common these days. Tours usually entail going to a country and touring it with the purpose of capturing photos. Ranging from a few days to weeks, tours are one of the best ways to boost your photography. You are away with likeminded individuals who share your passion, and you are joined by a professional photographer who can help you with your photographic weaknesses.

Nevertheless, arguably the most significant benefit of a photo tour is you are immersed in photography every day for weeks. If you keep practicing and doing something for hours every day, it’s natural for you to become better at it. So, if you haven’t tried a photo tour or workshop, give it go. It could be the best way to boost your photography skills and passion.

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Like any other hobby or profession, you need to continually challenge yourself, set goals and have the motivation to create great photos. Sometimes that comes naturally, like when you are heading to a fantastic destination. At other times you have to make an effort to push yourself to be able to take your photography to the next level. The above tips should help you on your way, but ultimately it is down to you to push yourself.

What do you do to improve your photography? Tell us below.

The post 7 Ways To Take Your Photography To The Next Level appeared first on Digital Photography School. It was authored by Kav Dadfar.



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[Photography] Gear Review: The Lumix G9 Mirrorless Camera

The post Gear Review: The Lumix G9 Mirrorless Camera appeared first on Digital Photography School. It was authored by David Shaw.

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The Lumix G9 – a 20.3mp, micro 4/3rds, mirrorless camera.

When I bought my first full-frame DSLR many years ago (an original Canon 5D), I thought I’d discovered the pinnacle of camera technology. Because a bigger sensor is better right?

Well, not necessarily.

Sensor sizes are like film sizes- they are different formats, not different quality. Each has advantages and disadvantages, and some will fit your needs while some won’t.

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Flying in small planes is how I reach many of my photo locations. A light camera system is vital.

The Lumix G9 Mirrorless Camera

Bigger sensors, for all their benefits, also mean bulkier and heavier lenses. A smaller sensor, such as the micro 4/3rds system, is compact, and light. That’s why, as an outdoor pro who specializes in shooting in remote areas, I’ve recently begun shooting the Lumix m4/3rds system. Specifically, my primary camera is now the Lumix G9 mirrorless camera, the flagship of Lumix still cameras.

Body Quality

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The Lumix G9 Mirrorless Camera from the top.

The Lumix G9 Mirrorless Camera is of a similar size to other pro-level mirrorless camera bodies. For me, this is the appropriate size. If the body were much smaller the controls would become too small and cumbersome for rapid use in the field, and impossible while wearing gloves. The G9, in my opinion, is a good compromise between size and functionality.

The build is sturdy with a die-cast magnesium chassis and is environmentally sealed. A textured rubber coating covers most of the body providing a confident grip, even when wet. The body weighs in 658g, more or less typical of this size mirrorless camera. I’ve used mine in temperatures varying from -25F, to +100F in the snow, rain, and salt spray. I’ve banged it around inside bush planes, safari vehicles, rafts, and canoes, and have yet to have an issue with durability.

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Bush planes. I’ve gotten used to flying in them, but I never get tired of photographing them. (De Havilland Otter reflected in an Alaskan lake).

Sensor

The 20.3mp micro four-thirds sensor has an excellent dynamic range for a sensor of this size and extremely low noise below about 1600 ISO. At higher ISOs, the noise does increase noticeably, which is a drawback for night photography. However, the files can handle substantial pushes in post-processing. Adding two or even three stops of light seems to have little impact on image quality.

Stabilization

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Handheld, at 1/15th second. Easy.

Lumix advertises a whopping 6.5 stops of stabilization built into the camera; a system that works seamlessly with lens-integrated stabilization. This impressive number isn’t just marketing hyperbole. I’ve found I can handhold images, even while using a long lens, to speeds as low as 1/8th of a second. Blurred water shots no longer require a tripod and video capture is smooth and almost vibration free. This is unquestionably the best camera I’ve ever used when it comes to image stabilization.

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Still Photography Performance

Frame Rate

Mirrorless cameras are not subject to the same limitations of shutter speeds as their DSLR counterparts. The electronic shutter of the Lumix G9 reaches a whopping 20 frames per second, far more than is needed except in all but the most extreme, fast-paced shooting situations. Even when using the standard frame rate, it still manages 9 frames per second, which is competitive with just about any camera on the market.

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At 20fps in the high burst mode, or 9fps in regular, the G9 makes quick work of moving subjects.

Autofocus

The autofocus is perhaps the one point, where the G9 does fall a bit short of high-end DSLRs. Lumix has applied a contrast detection system combined with Panasonic’s Depth from Defocus technology (DFD). In bright conditions with few obstacles, I found the autofocus to be exceptionally fast with a high hit rate. However, in tangled environments, or in low light, it occasionally struggles to grab my subject.

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The DFD system is an active autofocus that perpetually pushes and pulls the focus just a hair back and forth as it determines the focus point. It’s fast, but slightly distracting and often lead me to think that the camera hadn’t settled on my subject. It had, and the resulting images show a high hit rate, but the constant push-pull is a bit distracting.

Image Quality

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While overall image quality is excellent, night photography is the one place where the G9 falls short. This image, captured at ISO 3200, required substantial noise reduction.

In most lighting situations, the 20.3mp images are excellent. RAW format files have a competitive dynamic range which allows substantial pushing of exposure in post-processing. If you are jpeg shooter, the camera exports colorful, but not unnatural files ready for sharing on social media. I like the jpeg outputs so much that I’ve set the camera to write both small jpegs and RAW files which allows for quick shares without post-processing.

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Contrasting the previous image, this image captured at 800 ISO is nearly clean and required no noise reduction, despite the dim conditions. There seems to be a big reduction in image quality between ISO1600 and ISO 3200.

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High contrast scenes like this, the G9 handles admirably well.

High-Resolution Images

One of my favorite features of the Lumix G9 Mirrorless Camera is the high-resolution setting. The 20.3mp sensor is plenty for general use, however, as a landscape photographer, I often desire files that can be printed very large. The high-resolution image setting on the G9 takes 8 images in a row, each offset by 1/2 pixel. This produces a final file that is over 80 megapixels! For best results, a tripod is required, but for landscape work, I’m almost always using one anyway. The quality of the final image is, quite frankly, amazing.

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This image was captured using the high-resolution setting on the Lumix G9. The original file is a whopping 10368x7776px.

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The above image, cropped nearly in half, is still enormous by almost any standard.

Features

WIFI

Wifi connectivity when combined with Lumix’s intuitive app for phone or tablet, allows quick exporting of files for sharing from the field. Additionally, the app allows full remote operation of the camera. Once your image is composed, you can use the app to adjust exposure, aperture, shutter speed or ISO, then click the shutter from a 100m away.

Customization

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With a wide variety of lenses in the Lumix (and Olympus) lines. There is no shortage of options for all kinds of photography from wildlife to portraits and landscapes.

Advanced shooters will appreciate the extensive customization options on the G9. You can program in multiple preset modes, accessible from the main function dial atop the camera. But I’ve come to like even more, a separate switch on the front of the camera at the lower left, which allows you to switch between two types of shooting modes. I have one set for my standard landscape settings, and one to my favorites for wildlife. With a quick flick of a finger, I can move back and forth between the two as my shooting situation changes. Nifty.

Video

Lumix has always been associated with video capture, even more than still photography. And while the G9 was definitely designed with still images in mind, it has inherited many video features of the other Lumix cameras. 4k video capture up to 60fps is possible with the G9, something few other still cameras can achieve. With the excellent integrated stabilization, high-quality video is a breeze. As many of my clients are now requesting video clips in addition to stills, the excellent moving image capture of the G9 means I no longer have to carry a second, video-specific camera when I’m shooting on assignment. For a still shooter who likes to capture some video or a film-maker who also wants high-quality stills, the G9 may be the perfect compromise.

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From the back, the camera’s controls are straight forward.

But What’s it Like to Use?

All the tech specs in the world won’t tell you what it actually feels like to use the camera. And in that case, I think the Lumix has really won the race. The controls are intuitive, with buttons conveniently located and ergonomics that allow you to determine buttons easily by feel, and without searching around. I moved from Canon to Lumix and found it didn’t take long to feel at home from the new system. I also shoot a Sony mirrorless, and moving back and forth between the two is not challenging.

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It was intermittently snowing hard and blowing cold wind when I made this image in Alaska’s western Arctic. The G9 handled the conditions without issue.

But it’s in the field that I really love the Lumix G9. The m4/3rd system means that not only the sensor is smaller, but the lenses too. Everything is much smaller and compact, even with fast, high-end lenses. My kit has shrunk substantially with my switch to Lumix. While full-frame mirrorless cameras are smaller and lighter than pro-level DSLRs, the lenses are not, which puts a limiter on how much weight and space you can really save by switching to full-frame mirrorless. With micro 4/3rds however, everything is smaller.

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As a wilderness photographer, this is a HUGE advantage for me. I can carry a body and multiple lenses for the same weight and size as a single DSLR and mid-range zoom lens. I can’t tell you how much this has meant to me on the many occasions I’ve had to weigh out every ounce to make my kit fit in a bush plane. Size matters to a backcountry photographer, and when it comes to cameras, smaller is better.

A Note on Lenses

While this isn’t a review of the Lumix lenses, I do want to offer a quick hat-tip to the Lumix-Leica lens systems. The glass is compact, light, and extremely sharp. The Leica glass elements are impeccable, and while not cheap, the sharpness is in every way comparable to the best Nikon, Canon, and Sony lenses. Secondarily, the m4/3rds lenses are compatible across brands meaning that Olympus equipment works seamlessly on Lumix bodies. (My current long lens is the Olympus 300mm f4 PRO, and it works perfectly on the G9).

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Final Thoughts

Lumix has been a go-to manufacturer for videographers and film-makers looking for a compact, high-quality system for many years, while Olympus has led the m4/3rds still photography market. That has all changed with the Lumix G9. While I look forward to a few improvements in the next generation, the G9 has almost everything a serious photographer could want: great image quality, excellent choices in lenses, ability to shoot 4k video, abundant customization options, and intuitive controls.

It looks like the Lumix system has found a permanent place in my camera bag.

Have you used the Lumix G9 Mirrorless Camera? Please share your thoughts and experiences in the comments below.

The post Gear Review: The Lumix G9 Mirrorless Camera appeared first on Digital Photography School. It was authored by David Shaw.



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Nov 28, 2018

[Photography] 7 Things I’ve Learnt About Photography From Pablo Picasso

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One of my favorite photographers, Ernst Haas, said we should seek inspiration from anywhere and everywhere. Listening to music, looking at paintings and sculptures, and reading books feeds your imagination more profoundly than just looking at the work of other photographers.

I think this is true. Exploring the work of a painter I love is as enriching to me as exploring a new city at sunrise. Similarly, wandering through a forest and photographing the sunlight filtering through the trees.

Our minds are hungry beasts. We think around 60-70,000 thoughts every day, with the majority of them being the same thoughts we had yesterday (and the day before). That’s scary. You can see how easy it would be to live life on autopilot.

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We can choose to think the same thoughts as yesterday, or we can feed our minds with new ideas – be they visual, sensory, words or music.

One artist who has inspired me with his work and ideas is Pablo Picasso. When he spoke about the artistic process, he articulated many of my core beliefs about taking photos.

He reminded me of the most exciting and essential elements of living a creative life. In the busy-ness of life, I so often forget.

Today I’d like to share some of Picasso’s ideas that are incredibly inspiring and impactful on any photographic journey.

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1. “Art washes away from the soul the dust of everyday life.” – Pablo Picasso

This quote of Picasso’s sums up why I dedicated my life to photography. Why I let it be almost everything that I am.

There is something about photography that deeply stirs my soul. I feel more alive while taking photos than I do with most other things.

Playing with my kids or talking to my teenage son deep into the night about challenges he faces, brings a similar feeling of purpose. However, very little else matches the feeling I get in the act of creation.

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Photography is a life-affirming pursuit. It makes me feel I am not just skating on the surface of life – rushing to and fro, writing emails and filling in forms.

Of course, there is nothing wrong with either of those activities, but do they really make you feel alive?

We all have to live and do necessary mundane tasks. But, we can also commit to making a vast amount of space in our lives for things that create deeper satisfaction in ourselves.

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2. “Inspiration does exist, but it must find you working.” – Pablo Picasso

This quote of Picasso’s is a testament to say: take photos even when you’re not in the mood, even when you’re only getting rubbish images. The only way to get that fantastic image is to keep going.

You never know when the light may dramatically change, making the scene before you look eerily beautiful. Alternatively, an intriguing stranger might walk past doing something peculiar!

Even though I am a professional photographer, I sometimes suffer from procrastination as much as the next person. I intend to go out shooting but get distracted by my kids or get too tired after a heavy meal.

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I realize if I’m not out there, I’ll never know what experiences, and then what photos, I’m missing. That seems like an insane waste of life.

Keep going. Continue searching for that great scene, interesting person, or a beautiful landscape. Whatever it is that floats your boat, go and find it.

3. “Art is the elimination of the unnecessary.” Pablo Picasso

I look at thousands of photos on my workshops. One thing I see regularly is people making images too complicated. When your images are too complex, you are not defining your subject correctly.

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There’s a myriad of compositional ideas you can use to help define your subject. For example, Rule of Thirds, creating clean backgrounds for your portraits and breaking the world down into elements.

The overarching concept in all of these ideas about composition is to eliminate all that is unnecessary.

Photography is a process of choosing what to put in the frame, and what to take away. It is wise to make your composition, then look and think. What isn’t working here? What do I need to remove?

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For example – one common mistake many photographers make is not checking their corners. It’s amazing how often people spend so much time composing their subject, but not checking all around the frame, especially the corners, to see that everything within it should be there.

Therefore, creating images is not just – ‘what do I put in the frame?’ But also – ‘what do I take away?’

4. Creating Feeling Within Your Images

“There are painters who transform the sun to a yellow spot, but there are others who, with the help of their art and their intelligence, transform a yellow spot into the sun.” – Pablo Picasso

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The same is true for photographers. You can photograph any number of things, and it looks entirely real. However, what does it feel like when you look at your photograph?

It is all too easy to just document, without creating any sense of what it feels like to be in that hot and humid city, to look at that face, to feel the textures of the buildings you are capturing.

Photographing a cold winter’s morning is simple. Nevertheless, to translate the feeling of what it would feel like to stand in a misty field, with cold biting your face and a deep feeling of eeriness as fog rolls in across the land – that is another skill entirely.

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Ultimately, the success of any photo is whether it creates an impact for your viewer. The only question you need to ask is, ‘does this image invoke a feeling?’

It’s not just what we see that creates an impact, but the feeling that is created within our bodies when we see something that we love, dislike, or invokes joy, or sadness.

Feelings are what we remember. Images have no sense of feeling are instantly forgettable.

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5. “I am always doing that which I can not do, in order that I may learn how to do it.” – Pablo Picasso

One of the things that surprised me about being a parent is how quickly young children latch on to the idea, ‘I can’t do this now, so I’ll never be able to do it.’

Once you have allowed that thought into your mind, it can quickly mushroom until you are utterly convinced that you can’t do something. Never, ever.

I see it in my children, and I see it in 70-year-old clients who come to my workshops. I have to say that, ‘I can’t do this, so I’ll never be able to it,’ is one of the most destructive ideas for your photography.

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Of course, the technophobe might never become the most skilled camera person alive. In contrast, they can overcome their self-perception and become competent and confident with their cameras. I see proof of this regularly.

One of the most exciting ideas I have noticed coming out of the science community in recent years is the idea of Neuroplasticity.

Instead of the old belief that our brains become ‘fixed’ and unchangeable as we enter into adulthood, we now understand that brains are completely changeable.

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In fact, at any point in life, one is able to totally rewire thoughts and beliefs we hold about ourselves.

“The man who thinks he can and the man who thinks he can’t are both right.” – Confucius

Think of all the things you believe you can’t do with your photography, and go out and challenge those beliefs.

If you believe you can’t do street photography, but would secretly love to try it, do it!

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If you think you’ll never master manual mode, read up on it. Go out as often as you can. Make a ton of mistakes. You’ll get it eventually.

If like me, you think, ‘I’m not a nature photographer, but I’d love to try it,’ go and spend time in nature. Experiment, play and try new things.

As long as you approach the world with the attitude of ‘I can,’ you probably will.

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6. The World is Rich With Ideas

“A piece of space-dust falls on your head once every day… With every breath, we inhale a bit of the story of our universe, our planet’s past and future, the smells and stories of the world around us, even the seeds of life.” – Pablo Picasso

Of course, photography starts as a technical exercise. You need to use a machine, often with a little computer in it. Fully get to know the machine you are using. At least to the place where you are comfortable.

Photography is a union of the technical and the creative. The creative part of photography comes from an ethereal place within you that is unique.

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Your creative vision flows from everything that has made you who you are – your experiences, your life, what you love and what you detest.

It also comes from the world around us; from the feeling of history we experience when we walk through old city streets; from the awe of looking at a majestic five hundred-year-old tree.

The world isn’t a flat surface. Everywhere we look we see the ‘moment;’ the weather; the time of day. We also know that in a few hours everything we are currently seeing can change.

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Most people are so locked in their minds and focused on themselves that they don’t open themselves up to the mysteries of the world.

There are stories and ideas all around us that can inspire us in our photography, can provoke new ideas and adventures for us.

All we have to do is pay attention and commit to the awesome power of photography.

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7. “Only put off until tomorrow what you are willing to die having left undone.” – Pablo Picasso

The older I get, the more I feel like I need to demand of myself. That by the end of each day I want to be profoundly and truly satisfied. Not just to be content, or to have my to-do list full of check marks.

I want to have created something. Something that is entirely my own. A creation that no one else could have, because they are not me.

Photography gives us that, and I love that it does. It can give us opportunities to see, feel and experience more of the world.

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Without photography, life would not be anywhere near as rich and meaningful as it is.

When faced with either sleep or the chance to catch an amazing sunrise – I get up to photograph the sunrise.

Our lives are speeding along and, although we are aware of this, we become complacent. In a subconscious part of ourselves, we truly believe we live forever. The possibility of not existing doesn’t seem right.

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Our time on this planet is finite. If we acknowledge that we are organic beings, it can motivate us to demand more of what we truly want from our lives.

For me, it’s exploring and taking photos. It’s creating art and sharing it with others or showing people what beautiful things I see all around me.

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Of course, your photography journey is different from mine.

You may record the breathtaking journey of your children from babies into adulthood or documenting the joyous color of flowers.

Alternatively, you may be climbing snowy mountains and showing the world the awe-inspiring landscapes you witness. You may be documenting the strange and humorous things we humans do when out in the world, inhabiting our little bubbles as we move around the streets, unaware of the world watching us.

There are so many ways to be a photographer. So many things to document, explore and see. Follow your own path.

Just be open, and inquisitive. Look around you and open your mind to everything you don’t usually notice.

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By showing yourself and others what you see in this world, you open up other people’s perspective of the world around them. You take them out of their hectic bubble – full of the 24/7 news, the list of things to do, the emails and daily demands of daily life.

You give them a gift of seeing — a gift of taking a moment to stop and stare in awe at what the world has laid out before us.

It’s a pretty exciting, amazing and incredibly life-enhancing pursuit taking photos.

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Have these ideas fed your creative soul? If they have helped you demand more from your photography, and to take more time out of your life to commit to this fantastic pursuit, let me know below. It’s always great to hear from you.

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